“Noted Psychologist Revealed as Author of Best-Selling ‘Wonder Woman,’” read the astonishing headline. In the summer of 1942, a press release from the New York offices of All-American Comics turned up at newspapers, magazines and radio stations all over the United States. The identity of Wonder Woman’s creator had been “at first kept secret,” it said, but the time had come to make a shocking announcement: “the author of ‘Wonder Woman’ is Dr. William Moulton Marston, internationally famous psychologist.” The truth about Wonder Woman had come out at last.
An immortal Amazon warrior goddess who is the crown princess of Themyscira and the daughter of Queen Hippolyta and Zeus given to the Amazons to raise, and half-sister of Ares. Describing Wonder Woman and her appeal, Gadot said, "She's relatable. She has the heart of a human and is very compassionate, but her experiences—or lack of them, her naivete, really—make her interested in everything around her and able to view the world in a way that we'd all like to: with a genuine curiosity." On Diana's relationship with her mother, Gadot said, "Diana is a very opinionated girl. Her mother is very opinionated. Her mother is very protective as well, and they have, you know, the very natural clash that a mother has with her daughter, with their daughters, the first time they want to leave home." On taking on the role as Wonder Woman, Gadot stated, "I feel very privileged that I got the opportunity to portray such an iconic, strong female character. I adore this character and everything that she stands for and everything that she symbolizes." On Diana going to the world, Gadot stated, "When Diana comes to the real world she's completely oblivious about gender and society rules, that women are not equal to men." Describing Diana's relationship with her mother and aunts, Jenkins said, "She is the only child they raised together. And their love for her manifests in a different way for each of them." On working with Gadot, Jenkins said, "Gal quickly became the person I wanted to talk to about everything. We'd shoot together all day. And then on weekends, we'd be like, 'What do you want to do?' That's maybe not totally normal."
^ Lyons, Charles. "Suffering Sappho! A Look at the Creator & Creation of Wonder Woman". Comic Book Resources. Archived from the original on January 19, 2013. Retrieved August 23, 2006. In October 1940, the popular women's magazine "Family Circle" published an interview with Marston entitled "Don't Laugh at the Comics," in which the psychologist discussed the unfulfilled potential of the medium.
Elise Jost of Moviepilot observed that "Gadot's take on Wonder Woman is one of those unique cases of an actor merging with their story, similar to Robert Downey Jr.'s Tony Stark. Gal Gadot is Wonder Woman, and Wonder Woman is Gal Gadot." Jost praised Gadot's interpretation of Wonder Woman as the one in which Gadot "absolutely nails the character's unwaveringly positive outlook on life. She's a force of nature who believes in the greater good; her conviction that she's meant to save the world is stronger than her bullet-deflecting shield. She's genuine, she's fun, she's the warm source of energy at the heart of the movie." The Federalist suggests that Wonder Woman is "a story of Jesus". "The movie is wrapped up in faux Greek mythology, true, but there's no mistaking the Christology here." "Perhaps Christ in the form of a beautiful and kick-ass Amazon is all that our contemporary society can handle right now", stated M. Hudson, a Christian feminist. On HuffPost cultural critic, G. Roger Denson, who regards the superhero genre as a source of contemporary "Mainstream Mythopoetics" ("the making of new yet vitally meaningful, if not symbolic, stories filled with imagery reflecting, yet also shaping and advancing, the political, legal, moral and social practices of today"), wrote that the "No Man's Land" scene "that people are crying over in theaters and raving about afterward happens to be among the most powerfully mythopoetic scenes ever filmed at the same time it is one of the oldest myths to have been utilized by artists and writers after it had been invented by early military strategists and leaders." Specifically "used by director Patty Jenkins", the scene raises "the esteem for powerful yet compassionate women as heroes and leaders to a level equal with that of men for having won over a huge and adoring popular audience around the world".
In one episode, a newspaper editor named Brown, desperate to discover Wonder Woman’s past, assigns a team of reporters to chase her down; she easily escapes them. Brown, gone half mad, is committed to a hospital. Wonder Woman disguises herself as a nurse and brings him a scroll. “This parchment seems to be the history of that girl you call ‘Wonder Woman’!” she tells him. “A strange, veiled woman left it with me.” Brown leaps out of bed and races back to the city desk, where he cries out, parchment in hand, “Stop the presses! I’ve got the history of Wonder Woman!” But Wonder Woman’s secret history isn’t written on parchment. Instead, it lies buried in boxes and cabinets and drawers, in thousands of documents, housed in libraries, archives and collections spread all over the United States, including the private papers of creator Marston—papers that, before I saw them, had never before been seen by anyone outside of Marston’s family.
“As to the ‘advanced femininity,’ what are the activities in comic books which women ‘indulge in on an equal footing with men’? They do not work. They are not homemakers. They do not bring up a family. Mother-love is entirely absent. Even when Wonder Woman adopts a girl there are Lesbian overtones,” he said. At the Senate hearings, Bender testified, too. If anything in American popular culture was bad for girls, she said, it wasn’t Wonder Woman; it was Walt Disney. “The mothers are always killed or sent to the insane asylums in Walt Disney movies,” she said. This argument fell on deaf ears.