For millennia, the goddess Athena waited patiently for the chance to prove herself worthy of the crown of Olympus. As Earth society developed, the goddess of knowledge grew in power and cunning, and ultimately challenged her father Zeus for the throne. To win this challenge, Athena sent for her champion, Wonder Woman, to face that of Zeus — Briareos of the Hecatoncheires. Though she was still blind, Diana was aided by the winged Pegasus but seemingly fell to Briareos. Unknown to Zeus, this was a trick played by Athena and Diana to prove to the latter that Zeus had no compassion and was not a worthy ruler. Athena agreed to forfeit if Zeus would spare Diana's life, but he denied her, proving his unworthiness. This prompted the other goddesses to deliver the head of Medusa unto Diana, which she used to turn Briareos to stone. Athena took the throne at last, but Zeus immediately began plotting a coup with his brothers in Tartarus.
Not even girls want to be girls so long as our feminine archetype lacks force, strength, and power. Not wanting to be girls, they don't want to be tender, submissive, peace-loving as good women are. Women's strong qualities have become despised because of their weakness. The obvious remedy is to create a feminine character with all the strength of Superman plus all the allure of a good and beautiful woman.
Wertham’s papers, housed at the Library of Congress, were only opened to researchers in 2010. They suggest that Wertham’s antipathy toward Bender had less to do with the content of the comics than with professional rivalry. (Paul Schilder, Bender’s late husband, had been Wertham’s boss for many years.) Wertham’s papers contain a scrap on which he compiled a list he titled “Paid Experts of the Comic Book Industry Posing as Independent Scholars.” First on the list as the comic book industry’s number one lackey was Bender, about whom Wertham wrote: “Boasted privately of bringing up her 3 children on money from crime comic books.”