After the release of the 2017 film Wonder Woman, many bloggers noted what they felt made Wonder Woman a feminist icon in the film. Zoe Williams for The Guardian said, "Yes, she is sort of naked a lot of the time, but this isn't objectification so much as a cultural reset: having thighs, actual thighs you can kick things with, not thighs that look like arms, is a feminist act. The whole Diana myth, women safeguarding the world from male violence not with nurture but with better violence, is a feminist act. Casting Robin Wright as Wonder Woman's aunt, re-imagining the battle-axe as a battler with an axe, is a feminist act. A female German chemist trying to destroy humans (in the shape of Dr Poison, a proto-Mengele before Nazism existed) might be the most feminist act of all." Alyssa Rosenberg for The Washington Post said, "... None of these experiences crushed me, of course, but I do wonder what it might have been like if they hadn't happened.The power of Wonder Woman, and one of the things that gives Jenkins's adaptation of the character such a lift, is in the answer to that question. Diana Prince (Gal Gadot) doesn't have any idea what women and men are — or aren't — supposed to do. Even when she does encounter other people's ideas about gender roles, she doesn't automatically accept them, and she never lets anyone stop her. And the movie goes a step further and argues that it's not merely little girls all over the world who stand to gain if they can grow up free of the distorting influence of misogyny: a world like that would be liberating and wonderful for men in lots of ways, too." Emma Gray for HuffPost said, "When it comes to pop culture, we speak often about representation; the simple yet often unfulfilled idea that it matters to see someone like you fill a variety of imagined roles on screen. After awhile, these conversations almost begin to feel obvious. We know that it's good to see women and people of color and disabled people and trans people and queer people in the same numbers and variety of roles that white, cisgender, straight men have long been afforded. But what these discussions often lose is the emotional impact of finally seeing something you may have never even realized you were missing. For many women viewers, "Wonder Woman" filled a hole they didn't know they had." 
The I Ching era had an influence on the 1974 Wonder Woman TV movie featuring Cathy Lee Crosby, in which Wonder Woman was portrayed as a non-superpowered globe-trotting super-spy who wore an amalgam of the Wonder Woman and Diana Prince costumes. The first two issues of Allan Heinberg's run (Wonder Woman vol. 3, #1–2) include direct references to I Ching, and feature Diana wearing an outfit similar to that which she wore during the I Ching era.
The inspiration to give Diana bracelets came from the pair of bracelets worn by Olive Byrne, creator William Moulton Marston's research assistant and lover. "Wonder Woman and her sister Amazons have to wear heavy bracelets to remind them of what happens to a girl when she lets a man conquer her," quoted Marston in a 1942 interview. "The Amazons once surrendered to the charm of some handsom Greeks and what a mess they got themselves into. The Greeks put them in chains of the Hitler type, beat them, and made them work like horses in the fields. Aphrodite, goddess of love, finally freed these unhappy girls. But she laid down the rule ("Aphrodite's Law") that they must never surrender to a man for any reason. I know of no better advice to give modern day women than this rule that Aphrodite gave the Amazon girls."
Although she has traditionally paired with either Steve Trevor or no one as a main romantic lead, and Superman with either Lois Lane or Lana Lang, there has often been the hint of a romance between the two characters. This began in the 1960 in the series Superman's Girlfriend, Lois Lane which was equal parts romance and action themed. In order to drive along the romance, the theme often came up of Lois Lane believing that Superman really loved Wonder Woman (though this was mostly for the purposes of a case.) In later years the same ideas perpetuated though most in imaginary stories or alternate tellings of the future. Following Crisis on Infinite Earths the characters were briefly linked romantically in Action Comics #600 which was written by John Byrne. Subsequently the characters' interest in one another was generally portrayed as a strong friendship (this occurred under different writers, primarily Messner-Loebs and Rucka.) Following the reboot of the DC universe into the new 52 the characters once again showed a romantic interest in one another. They found common ground in the isolation which their power give them and shared a kiss in Justice League #12 in 2012. It was later on revealed by Geoff Johns that their relationship wouldn't last for long and will end badly.
Morgan appears and reveals himself as Ares. He tells Diana that although he has subtly given humans ideas and inspirations, using Ludendorff and Maru as pawns in the process, it is ultimately their decision to resort to violence as they are inherently corrupt. When Diana attempts to kill Ares with the "Godkiller" sword, he destroys it, then reveals to Diana that she herself is the "Godkiller", as the daughter of Zeus and Hippolyta. He fails to persuade Diana to help him destroy mankind in order to restore paradise on Earth. While the two battle, Steve's team destroys Maru's laboratory. Steve hijacks and pilots the bomber carrying the poison to a safe altitude and detonates it, sacrificing himself. Ares attempts to direct Diana's rage and grief at Steve's death by convincing her to kill Maru, but the memories of her experiences with Steve cause her to realize that humans have good within them. She spares Maru and redirects Ares's lightning into him, killing him for good. Later, the team celebrates the end of the war. In the present day, Diana sends an email to Bruce Wayne thanking him for the photographic plate of her and Steve and continues to fight and give on the world's behalf, understanding that only love can truly save the world.
Impressed by this unknown woman's self-sacrifice, the Amazons entombed her with honors and clothed her in armor displaying the American flag pattern on her uniform, which they assumed were her heraldic colors. Trevor's legacy was also the primary reason why Ares arranged for Steve Trevor to bomb the island, as he could not resist the irony of the heroine's son unwittingly killing her admirers.