Wonder Woman gets a little jealous with Supergirl's arrival, believing she is trying to catch everyone's attention. When she realized that Supergirl is actually a better superhero because she looks up to Wonder Woman, they became friends and Wonder Woman helps to train Supergirl. She is among the heroes to battle against Granny Goodness and the Female Furies. She is voiced by Grey Griffin.
James Robinson is a British writer, best known for his work in comic books and screenplays. He is well-known for his encyclopedic knowledge of comic book continuity, especially regarding the Golden Age of comic books. His earliest comic book work came in the late 1980s, but he became best known for his revitalization of the character Starman for DC comics in the 1990s. In addition, he has written ...more
Steve Rose in The Guardian criticized the film for failing to explore the material's potential for "patriarchy-upending subversion".[221] Peter Travers of Rolling Stone criticized the film's over-reliance on exposition: "Wonder Woman is hobbled by a slogging origin story and action that only comes in fits and starts. Just when Gadot and director Patty Jenkins...are ready to kick ass, we get backstory."[222]

Trudging on, Hades expects their presence and tries sending spirits in order to stall and attack Diana and Hermes. Successfully defeating them, they wonder through a forest and find a cabin resembling Zola's farm house. Zola pops out and happily hugs Wonder Woman. Hades at that moment makes his grand entrance and frees them. Though, just before they escape, Hades beckons Wonder Woman to look behind, and shoots her with Eros pistols. She urges Hermes and Zola to leave while she is left at the mercy of Hades who wants her to be his bride. Here, she is preparing to wed Hades when she gives Diana her lasso, saying that if he truly loves him, she will confess it due to the properties of the lasso. She says yes, but will not go on with the wedding as it is more or less forced and not real love. She escapes his clutches and shoots him as a means of payback for shooting her.
At the end of Infinite Crisis, Wonder Woman temporarily retires from her costumed identity. Diana, once again using the alias Diana Prince, joins the Department of Metahuman Affairs. Donna Troy becomes the new Wonder Woman and is captured by Diana's enemies. Diana then goes on a mission to rescue her sister, battling Circe and Hercules. Diana defeats the villains, freeing Donna and takes up the role of Wonder Woman again. Circe places a spell on Diana, which renders Diana into a normal, powerless human being when in the role of Diana Prince; her powers come to her only when she is in the role of Wonder Woman.[116][117][118][119][120]
Warner Bros. is now pushing back the release date of Wonder Woman 1984 by seven months. It was originally slated to drop Nov. 1, 2019, but it will now premiere June 5, 2020, which falls right in the middle of the summer blockbuster season and just over three years after the first film debuted in theaters. According to Warner Bros. president of domestic distribution Jeff Goldstein, it cited the first film’s successful release during the summer as to why it was making the move. (Wonder Woman was the third highest-grossing film of 2017.)
^ Daniels, Les (1995). "The Amazon Redeemed Wonder Woman Returns to Her Roots". DC Comics: Sixty Years of the World's Favorite Comic Book Heroes. New York, New York: Bulfinch Press. p. 194. ISBN 0821220764. Creator William Moulton Marston had mixed Roman gods in with the Greek, but Pérez kept things straight even when it involved using a less familiar name like 'Ares' instead of 'Mars'. The new version also jettisoned the weird technology anachronistically present on the original Paradise Island.
The New 52 universe does not have a "Diana Prince" identity as stated in an interview by series writer Brian Azzarello.[67] However, when she and Superman began dating, for her civilian identity she used the Diana Prince alias whenever she was around Clark Kent; such as when she introduced herself to Lois Lane at Lois's housewarming party under that name.[68]

Zeus has made a woman called Zola pregnant. Hera, due to this, is furious. She sets out to kill Zola, but Hermes finds her first, only to find out that Zola does not want to come with Hermes. Zola opens the door, and an arrow is shot at her direction; Hermes pushes her away in time, and gives her a key, as assassins sent by Hera and it teleports to Wonder Woman’s apartment, because Hermes enlisted Wonder Woman to protect Zola. Zola gives Wonder Woman the key, and it teleports both Wonder Woman and Zola back to Zola’s house. After Zola finds out that she is pregnant with Zeus, it gets revealed that one of Zeus’ children is going to take his place, by Zeus’ own will. Wonder Woman takes Zola, along with Hermes, to Themiscyra where Diana explains to her Mother, Queen Hippolyta, why she took with herself Zola and Hermes to Themiscyra. Alongside all of this, Hippolyta tells Diana about her true origins; that her real father is Zeus. Diana’s reaction to this isn’t very well, so she decides to abandon Themiscyra. Hera is aware of the fact that Wonder Woman is Zeus’ daughter, and she arrives to Themiscyra, furiously. Wonder Woman realized she did a mistake by leaving her home, so she went back to Themiscyra where she sees that everyone has been turned into snakes by Hera, except for Hippolyta, she was turned into stone. Apollo arrives in a bar searching for War (Ares), and explains to him that Zeus doesn’t even exist from what he’s sources says. Apollo takes this as his chance to become the king of Olympus and the Gods.
She is able to astrally project herself into various lands of myth. Her physical body reacts to whatever happens to her on the mythical astral plane, leaving her body cut, bruised, or sometimes strengthened once her mind and body are reunited. She can apparently leave the planet through meditation and did this once to rescue Artemis while she was in Hell.[188]
Wonder Woman managed to stabilize the plane when it was hit by the shockwave. Hermes and Artemis also arrived at Olympus, where Artemis discovered that Apollo had died in the attack. Among the ruins of the tower, the First Born claimed the throne of Olympus. Wonder Woman confronted the First Born, but he gained the upper hand. However, Hera arrived at Olympus, having regained her Olympian powers, revealing that Apollo had restored them before dying. Hera teleported Wonder Woman and her allies to Paradise Island. There, Wonder Woman found Zola, safe. Hera had also restored the Amazons back to life. Wonder Woman chose to lead them to battle as the new God of War.[42]
For unexplained reasons, Heracles struck a deal with a mortal man, Harold Campion, whereby the two would exchange places (Earth for Olympus) Heracles used the mirror of Circe to conceal his identity and adventured under the name Champion.[16] He cast a love spell on Diana and accompanied her for a time, until Diana discovered his true identity.[17]
At the end of the 1960s, under the guidance of Mike Sekowsky, Wonder Woman surrendered her powers in order to remain in Man's World rather than accompany her fellow Amazons to another dimension. Wonder Woman begins using the alias Diana Prince and opens a mod boutique. She acquires a Chinese mentor named I Ching, who teaches Diana martial arts and weapons skills. Using her fighting skill instead of her powers, Diana engaged in adventures that encompassed a variety of genres, from espionage to mythology.[35][36] This phase of her story was directly influenced by the British spy thriller The Avengers and Diana Rigg's portrayal of Emma Peel.[37]
While the story is very flawed, the art of this arc has been fantastic, and this issue is no exception. Jesús Merino continues to show off his mastery as an illustrator with the battle against King Best. The design of the leader of the Dark Gods is terrific, and the Amazon twins have never looked better. Jason, in particular, looks great as the details in his powers make him appear more powerful than ever. Even if next issue falls apart, I do not doubt that the art will still go above and beyond.
Vox stated "Trevor is the superhero girlfriend comic book movies need".[210] The San Francisco Chronicle's Mick LaSalle lauded the performances of Gadot, Pine, Huston, and Thewlis while commending the film's "different perspective" and humor.[211] Richard Roeper of Chicago Sun-Times described Gadot's performance as inspirational, heroic, heartfelt and endearing and the most "real" Wonder Woman portrayal.[212]
Wonder Woman (vol. 1) #179 (Nov. 1969) showed Wonder Woman giving up her powers and returning her costume and title to her mother, in order to continue staying in Man's World. The reason behind this was that all the Amazons were shifting to another dimension, but Diana was unable to accompany them as she needed to stay behind to help Steve, who had been wrongly convicted.[92] Thus, she no longer held the title of Wonder Woman and after meeting and training under a blind martial arts mentor I-Ching, Diana resumed crime fighting as the powerless Diana Prince. She ran a mod-boutique as a business and dressed in a series of jumpsuits while fighting crime.[36][61][62][93][94] During this period, Samuel R. Delany took over scripting duties with issue #202. Delany was initially supposed to write a six-issue story arc, which would culminate in a battle over an abortion clinic, but Delany was removed reportedly due to criticism from Gloria Steinem, who, not knowing the content of the issues Delany was writing, was upset that Wonder Woman had lost her powers and was no longer wearing her traditional costume.[95]
Although created to be a positive role-model and a strong female character for girls and boys,[216] Wonder Woman has had to deal with the misogyny that was commonplace in comic book industry for decades. For example, Wonder Woman was a founding member of the Justice Society of America. This roster included the original Flash and Green Lantern. Wonder Woman was an experienced leader and easily the most powerful of them all, yet was rendered a secretary. This would also be accompanied with her losing her powers or getting captured on most Justice League adventures. During the '50s and '60s, comic writers regularly made Wonder Woman lovesick over Steve Trevor, a Major in the United States Army. Stories frequently featured Wonder Woman hoping or imagining what it would be like to marry Steve Trevor.
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“Of course I wouldn’t expect Miss Roubicek to understand all this,” Marston wrote Gaines. “After all I have devoted my entire life to working out psychological principles. Miss R. has been in comics only 6 months or so, hasn’t she? And never in psychology.” But “the secret of woman’s allure,” he told Gaines, is that “women enjoy submission—being bound.”
When she has matured into an adult, Menalippe, the Oracle of the Amazons sees a vision in which the Gods and humanity is in danger from Ares. Soon they are approached by the Gods and tasked with organizing a tournament in order to chose a champion, who will save them from impending Doom. Diana competes against her mother's wish and win. Athena then sends her a weapon, the Lasso of Truth forged by Hephaestus from the girdle of Gaea.
In March 2005, Warner Bros. and Silver Pictures announced that Joss Whedon would write and direct the film.[74] Early drafts of his screenplay included Steve Trevor as the narrator, a fierce battle between Diana and her mother over Trevor's welfare, and after leaving Themyscira, his need to frequently rescue a Diana rendered helpless by the modern world.[75] Whedon was not able to complete a final version of his screenplay, and left the project in 2007.[76][77]
Wonder Woman is suggested as being queer[247] or bisexual, as she and another Amazon, Io, had reciprocal feelings for each other.[248] Grant Morrison's 2016 comic Wonder Woman: Earth One, which exists parallel to the current DC comics Rebirth canon, Diana is depicted being kissed on her right cheek by a blonde woman who has put her left arm around Diana.[249]
In her debut in All Star Comics #8, Diana was a member of a tribe of women called the Amazons, native to Paradise Island – a secluded island set in the middle of a vast ocean. Captain Steve Trevor's plane crashes on the island and he is found alive but unconscious by Diana and fellow Amazon, and friend, Mala. Diana has him nursed back to health and falls in love with him. A competition is held amongst all the Amazons by Diana's mother, the Queen of the Amazons Hippolyta, in order to determine who is the most worthy of all the women; Hippolyta charges the winner with the responsibility of delivering Captain Steve Trevor back to Man's World and to fight for justice. Hippolyta forbids Diana from entering the competition, but she takes part nonetheless, wearing a mask to conceal her identity. She wins the competition and reveals herself, surprising Hippolyta, who ultimately accepts, and must give in to, Diana's wish to go to Man's World. She then is awarded a special uniform made by her mother for her new role as Wonder Woman and safely returns Steve Trevor to his home country.[86][87]
Wonder Woman engaged the First Born, but he quickly gained the advantage and attempted to kill Zeke. However, War challenged the First Born to a fight while Wonder Woman recovered. Then, Wonder Woman grabbed a spear and impaled both Ares and the First Born. As he died, Ares congratulated Wonder Woman for being a great warrior. Wonder Woman spared the First Born's life and went with Hades to take Ares' body to the River Styx.[36]
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Wonder Woman received a largely positive response from film critics, with some calling it the DC Extended Universe's best film, with additional praise highlighting Jenkins's direction, acting, chemistry of Gadot and Pine, musical score, and action sequences.[8][203] On the review aggregator Rotten Tomatoes, the film holds an approval rating of 93% based on 425 reviews, with an average rating of 7.66/10. The website's critical consensus reads, "Thrilling, earnest, and buoyed by Gal Gadot's charismatic performance, Wonder Woman succeeds in spectacular fashion."[204] It is the second highest-rated superhero film on the site.[10][note 1] On Metacritic, the film has a weighted average score of 76 out of 100, based on 50 critics, indicating "generally favorable reviews".[205] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale, while PostTrak reported filmgoers gave it an 85% overall positive score and a 73% "definite recommend".[206]

With Wonder Woman arriving in pursuit, Strife warned of the prophecy Apollo and Artemis feared: a child of Zeus would kill a god to take the throne. That child could be either Diana or Zola's child. Sending Zola back with Hermes to have her baby in peace, Diana warned that if they were not left alone, she would fulfil the prophecy herself. Unfortunately, upon her return to Michigan, Diana found that Hermes had betrayed them, and once Zola gave birth to her son, he whisked the child away, and gave it to Demeter. Diana swore to get the boy back and bring Hermes to justice.[25]


The I Ching era had an influence on the 1974 Wonder Woman TV movie featuring Cathy Lee Crosby, in which Wonder Woman was portrayed as a non-superpowered globe-trotting super-spy who wore an amalgam of the Wonder Woman and Diana Prince costumes. The first two issues of Allan Heinberg's run (Wonder Woman vol. 3, #1–2) include direct references to I Ching, and feature Diana wearing an outfit similar to that which she wore during the I Ching era.[9]
Diana, after her death, was granted divinity as the Goddess of Truth by her gods for such faithful devotion.[78] During her brief time as a god of Olympus, Diana was replaced in the role of Wonder Woman by her mother, Queen Hippolyta.[79] Unlike Diana receiving the title of Wonder Woman in honor, Hippolyta's role as Wonder Woman was meant to be a punishment for her betrayal in Artemis' death as well as for unintentionally killing her own daughter.[80] However, Hippolyta eventually grew to enjoy the freedom and adventure the title came with. Whereas Diana used the Lasso of Truth as her primary weapon, Hippolyta favored a broad sword.
The character's depiction in the New 52 has been mostly along the same lines as the remainder of her modern appearances, though as of yet much remains to be explained about her character. One development with the character in this new universe is that some of the developments which occurred during Flashpoint are occasionally referenced (such as her using London as her base of operations). In her New 52, written by Brian Azzarello, Wonder Woman's origin is that she is the daughter of Hippolyta and Zeus; no longer is she a golem of clay and earth, but an actual demigoddess.
As Wonder Woman, Queen Hippolyta immediately got involved in a time travel mission back to the 1940s with Jay Garrick.[82] After this mission, she elected to join the Justice Society of America and remained in that era for eight years, where her teammates nicknamed her "Polly". During that time she had a relationship with Ted Grant.[83] Hippolyta also made visits into the past to see her godchild Lyta, daughter of Hippolyta's protege Helena, the Golden Age Fury.[volume & issue needed] These visits happened yearly from young Lyta's perspective and also accounted for Hippolyta's participation in the JSA/JLA team ups. When she returned from the past, Hippolyta took Diana's place in the JLA as well.[84][85]
Hermes Action Comics #267 (August 1960) Hermes is the Messenger of the Gods, and the God of Thievery, Speed, Travel, and Commerce who is based on the god of the same name. Post-Crisis, Hermes was one of Wonder Woman's earliest allies. He was eventually killed by Circe during the War of the Gods, but Wonder Woman freed him much later from Tartarus. In the New 52, the bird-like Hermes was a close ally to Wonder Woman and aided in protecting Zeke, the reincarnation of Zeus. Post-Rebirth, Hermes took the form of a tortoise and aided Wonder Woman alongside several other gods.
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