In 1911, when Marston was a freshman at Harvard, the British suffragist Emmeline Pankhurst, who’d chained herself to the gates outside 10 Downing Street, came to speak on campus. When Sanger faced charges of obscenity for explaining birth control in a magazine she founded called the Woman Rebel, a petition sent to President Woodrow Wilson on her behalf read, “While men stand proudly and face the sun, boasting that they have quenched the wickedness of slavery, what chains of slavery are, have been or ever could be so intimate a horror as the shackles on every limb—on every thought—on the very soul of an unwilling pregnant woman?” American suffragists threatened to chain themselves to the gates outside the White House. In 1916, in Chicago, women representing the states where women had still not gained the right to vote marched in chains.
Wonder Woman's signature weapon was her Lasso of Truth; consequently, much of her crime-fighting powers came from bondage, and her only exploitable weakness was, essentially, bondage. Grant Morrison and Yanick Paquette had teamed up to work on Wonder Woman: Earth One. Paquette confirmed that he and Morrison would be bringing back the bondage theme that was popular in Wonder Woman comics during the 1940s. However, he stated that Morrison was looking for a way to not only modernize it, but to use the bondage theme as a form of female empowerment. Paquette acknowledged that Wonder Woman has become more than just a beloved character, she is a symbol for feminism. "By bringing in sex and, yes, bondage, it reasserts [William Moulton Marston's core] idea that it is okay for women to have a healthy sexual appetite." Paquette elaborated more on this by pointing out the blatant double standards in comics when it comes to sex: "Could Wonder Woman really ever have a healthy and active sex life without it becoming political fodder for Fox News? And what of women and girls who want to be like her? Do we truly think they wouldn't be labeled sluts? I have my doubts."
Superhuman Strength: Diana possesses far greater strength than the finest human athletes. She kept an A.R.G.U.S aircraft from crashing by holding it up. She dispatched numerous Parademons during Darkseid's invasion and broke the Fortress of Solitude's doors down when H'el locked Superman out and took control of it. She has also managed to briefly overpower both Green Lantern and Aquaman, as well as Supergirl. She managed to defeat the goddess Artemis, as well as draw blood from The First Born.
After the departure of Thomas in 1983, Dan Mishkin took over the writing. Mishkin and Colan reintroduced the character Circe to the rogues gallery of Wonder Woman's adversaries. Don Heck replaced Colan as artist as of issue #306 (Aug. 1983) but sales of the title continued to decline. Shortly after Mishkin's departure in 1985 – including a three-issue run by Mindy Newell and a never-published revamp by Steve Gerber – the series ended with issue #329 (February 1986). Written by Gerry Conway, the final issue depicted Wonder Woman's marriage to Steve Trevor.
The demon Neron engaged Diana in battle and managed to kill her. The Olympian Gods granted Diana divinity and the role of the Goddess of Truth who started to reside in Olympus; her mother Hippolyta then assumed the role of Wonder Woman and wore her own different incarnation of the costume. In Wonder Woman Vol. 2 #136, Diana was banished from Olympus due to interfering in earthly matters (as Diana was unable to simply watch over people's misery on Earth). She immediately returned to her duties as Wonder Woman, but ran into conflicts with her mother over her true place and role as Hippolyta seemed accustomed to her life in America. Their fight remained unsolved, as Hippolyta died during an intergalactic war. Themyscira was destroyed during the war, but was restored and reformed as a collection of floating islands. Circe later resurrected Hippolyta in Wonder Woman Vol 3 #8.
On November 3, 2016, Rupert Gregson-Williams was hired to write and compose the film's music. He was joined by Evan Jolly, Tom Howe, Paul Mounsey, and Andrew Kawczynski, who provided additional music. The soundtrack was released on CD, digital, and vinyl the same day as the film. Australian musician Sia sang a song for the film, titled "To Be Human", featuring English musician Labrinth. Written by Florence Welch and Rick Nowels, the track is also featured on the soundtrack. The soundtrack also features samples from Wonder Woman's theme "Is She with You" from the Batman v Superman: Dawn of Justice soundtrack composed by Hans Zimmer and Junkie XL.
Gods and Mortals (1987) Challenge of the Gods (1987–88) War of the Gods (1991) The Contest (1994) The Challenge of Artemis (1995) Paradise Island Lost (2001) Our Worlds at War (2001) The Hiketeia (2002) Down to Earth (2003–04) Who Is Wonder Woman? (2006–07) Amazons Attack! (2007) The Circle (2008) Ends of the Earth (2008) Rise of the Olympian (2009) Flashpoint (2011) The Lies (2016) Year One (2016) The Truth (2017) Godwatch (2017)
Gal was not aware of screen-testing the role of Diana Prince/Wonder Woman for the production of "Batman v Superman: Dawn of Justice" prior to December 4, 2013. She reportedly thought it was Selina Kyle/Catwoman. Selina Kyle/Catwoman was previously performed by Michelle Pfeiffer in "Batman Returns" and Anne Hathaway in "The Dark Knight Rises". See more »
Wonder Woman received a largely positive response from film critics, with some calling it the DC Extended Universe's best film, with additional praise highlighting Jenkins's direction, acting, chemistry of Gadot and Pine, musical score, and action sequences. On the review aggregator Rotten Tomatoes, the film holds an approval rating of 93% based on 425 reviews, with an average rating of 7.66/10. The website's critical consensus reads, "Thrilling, earnest, and buoyed by Gal Gadot's charismatic performance, Wonder Woman succeeds in spectacular fashion." It is the second highest-rated superhero film on the site.[note 1] On Metacritic, the film has a weighted average score of 76 out of 100, based on 50 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale, while PostTrak reported filmgoers gave it an 85% overall positive score and a 73% "definite recommend".