As early as the 1950s, Wonder Woman's tiara has also been used as a razor-edged throwing weapon, returning to her like a boomerang. The tiara allows Wonder Woman to be invulnerable from telepathic attacks, as well as allowing her to telepathically contact people such as the Amazons back on Themyscira using the power of the red star ruby in its center.
The character of Hypolitta was introduced to the world in the ancient Greek Myth of the Labors of Hercules. One of his labors was to get the girdle from Hypolitta; Queen of the Amazons. In the original story Hercules steals the girdle from Hypolitta which causes her to attack him; and then he kills her. The DC and Wonder Woman mythology both touch upon this incident but in their version he does not kill her; he just tricks her and takes her girdle from her. See more »
A stand-alone #0 Issue was released in September which explored Diana's childhood and her tutelage under Ares, the God of War. The issue was narrated in the style of a typical Golden Age comic book and saw Diana in her childhood years. The main plot of the issue was Diana training under Ares as he thought of her being an extraordinary girl with immense potential. The issue ultimately concluded with Diana learning and experiencing the importance of mercy, as she hesitates and refuses to kill the Minotaur- a task given to her by Ares; however, this show of mercy makes her a failure in Ares' eyes.
Robinson's run has not been inspiring and, while I'd argue that this is better than his earlier two volumes - in that there's at least an attempt at some characterisation amidst the fighting - it's still not really enough. The main problem is the rather uninteresting villains, generic manifestations of war, chaos, and so on, whose powers don't even seem terribly consistent. Plus, Jason gets a bunch of new powers, that essentially allow him to do whatever the plot requires so long as he can think ...more
The success of the superhero television series Supergirl informed the marketing and promotion strategy used for Wonder Woman. According to Time Warner chief marketing officer Kristen O'Hara, they wanted to approach the Wonder Woman marketing campaign in a light manner, similar to how they did with Supergirl. O'Hara elaborated that the modest campaign route they took for Supergirl aided in establishing a large central fanbase among women well in advance of the series, which reportedly generated 5 million female superhero fans in one week. They were then able to model over time, and grow that audience leading up to the 15-months-later release of Wonder Woman. Though neither the film nor the series are aimed exclusively at women, the latter's campaign gave them their first opportunity to begin collecting data about female superhero fans. In May 2017, a promo for Wonder Woman was released during the season finale of Supergirl, featuring a remix of the song "These Boots Are Made for Walkin'" and Supergirl (Melissa Benoist) wearing Wonder Woman's boots. The promo included an appearance by Lynda Carter, star of the 1970s Wonder Woman, who plays the American president on Supergirl.
James Robinson, Stephen Segovia, and Jesus Merino bring Wonder Woman face to face with violent gods of the dark universe in the 8th volume of her latest series. Confronting both Cheetah and Supergirl, Wonder Woman discovers that five monoliths have arrived on Earth. Their very presence is causing religious fervor and hysteria across the globe. Just as Diana is about to confront the danger alongside her brother Jason, she is transported across space to the homeworld of the Star Sapphires. Briefly ...more
Diana meets Barbara Ann Minerva for the first time. Minerva wants Diana's lasso and tricks Diana into believing that she has Antiope's Girdle of Gaea. Diana discovers the ruse and storms out of the house. Barbara transforms into the Cheetah and attacks Diana. Julia Kapatelis shoots Cheetah and fends her off. Diana returns to Themyscira. Zeus is infatuated with Diana and asks her for a physical communion to which Diana refuses. Angered, Zeus sends her on a mission, a "Challenge
The original significance of Wonder Woman had the intentions of influencing many women of all ages, displaying the physical and mental strengths, values, and ethical attributes that not only men acquire. "Wonder Woman symbolizes many of the values of the women's culture that feminists are now trying to introduce into the mainstream: strength and self-reliance for women; sisterhood and mutual support among women; peacefulness and esteem for human life; a diminishment both of 'masculine' aggression and of the belief that violence is the only way of solving conflicts," Steinem wrote at the time.
"Not even girls want to be girls so long as our feminine archetype lacks force, strength, and power. Not wanting to be girls, they don't want to be tender, submissive, peace-loving as good women are. Women' s strong qualities have become despised because of their weakness. The obvious remedy is to create a feminine character with all the strength of Superman plus all the allure of a good and beautiful woman."
Wonder Woman's powers and traditional costume were restored in issue #204 (January–February 1973). Gloria Steinem, who grew up reading Wonder Woman comics, was a key player in the restoration. Steinem, offended that the most famous female superheroine had been depowered, placed Wonder Woman (in costume) on the cover of the first issue of Ms. (1972) – Warner Communications, DC Comics' owner, was an investor – which also contained an appreciative essay about the character.
Straczynski's run focused on an alternate timeline created by the Gods where Paradise Island was destroyed leading to many Amazons being raised in the outside world. It revolves around Wonder Woman's attempts to restore the normal timeline despite the fact that she does not remember it properly. Wonder Woman in this alternative timeline has been raised in New York City as an orphan and is coming into her powers. She is aware of the presence of Amazons, but does not remember her childhood on Paradise Island. Wonder Woman wore a new costume designed by DC Comics co-publisher Jim Lee. Writer Phil Hester continued the storyline.
Her outfit did not receive any prominent change until after the 2005–2006 Infinite Crisis storyline. Similar to her chestplate, her glowing belt was also shaped into a "W". This outfit continued until issue #600 – J. Michael Straczynski's run of Wonder Woman's altered timeline changed her outfit drastically. Her outfit was redesigned by Jim Lee and included a redesigned emblem, a golden and red top, black pants, and a later discontinued blue-black jacket.
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