Granted by Athena (Goddess of Wisdom), this gives her a degree of wisdom beyond that of most mortals and gives her a strong moral sense. Originally in the Golden Age, her wisdom primarily consisted of her deep knowledge of, and ability to navigate through, human emotions. When she first showed up in Man’s World, she learned enough English language to converse with others in a few hours only. This also aids her in her tactical ability. She is among the smartest and wisest members of the Justice League of America, along with the Martian Manhunter and Batman.
Wonder Woman's signature weapon was her Lasso of Truth; consequently, much of her crime-fighting powers came from bondage, and her only exploitable weakness was, essentially, bondage. Grant Morrison and Yanick Paquette had teamed up to work on Wonder Woman: Earth One.[246] Paquette confirmed that he and Morrison would be bringing back the bondage theme that was popular in Wonder Woman comics during the 1940s. However, he stated that Morrison was looking for a way to not only modernize it, but to use the bondage theme as a form of female empowerment. Paquette acknowledged that Wonder Woman has become more than just a beloved character, she is a symbol for feminism. "By bringing in sex and, yes, bondage, it reasserts [William Moulton Marston's core] idea that it is okay for women to have a healthy sexual appetite." Paquette elaborated more on this by pointing out the blatant double standards in comics when it comes to sex: "Could Wonder Woman really ever have a healthy and active sex life without it becoming political fodder for Fox News? And what of women and girls who want to be like her? Do we truly think they wouldn't be labeled sluts? I have my doubts."
The Gods, led by Athena, create the Amazons in Greece to realize their ideals and bring humans into following them. The leader of the Amazons, Hippolyta feels a yearning for a child). She makes a clay form of a child and prays to the Gods. Hearing this the Gods give the clay form, transforming it into a live child blessed with Gaea's gift, life. The Gods grant her various abilities and she grows up as Diana of Themyscira.
Upon arriving, Diana and Hermes found themselves under attack by Hades' minions. Though they fought them off, they were surprised to find that time for Zola had passed much more quickly than for them. Her pregnancy was nearly at the end of its term. When they attempted to leave with her, Hades appeared, warning that one of them must stay behind - and if Diana was unprepared to make Hera his wife as promised - she would do. However, upon Eros' pistols, he instead agreed to let them all go in exchange for them. When Diana's back was turned, he fired them at her, and she fell under love's spell to him.[21]
Wonder Woman grossed $412.6 million in the United States and Canada and $409.3 million in other territories for a worldwide total of $821.8 million, against an estimated production budget of $120–150 million.[5] Estimates for the number the film needed to surpass internationally in order to cover its production and promotional costs and break even ranged from $300 million[174] to $460 million.[175] Deadline Hollywood calculated the net profit of the film to be $252.9 million, when factoring together all expenses and revenues, making it the 6th most profitable release of 2017.[176]
Zeus Action Comics #267 (August 1960) Zeus is the ruler of Olympus, King of the Gods, God of the Sky, Thunder, Law, Order, and Justice who is based on the god of the same name. Post-Crisis, he became enamored with Wonder Woman's beauty and grace. Later, Ares used his son Eros in a plot to make Zeus fall in love with the amazon Artemis, which enraged Hera into destroying Themyscira. He was later overthrown by Athena, though he attempted to reclaim his throne with the help of Hades and Poseidon. In the New 52, it was revealed that Zeus was Wonder Woman's father. Post-Rebirth, Zeus appeared as an ally for Wonder Woman in the form of a Falcon.
In late 2013, Zack Snyder cast Gal Gadot in the role of Wonder Woman for the 2016 film, Batman v Superman: Dawn of Justice over Élodie Yung and Olga Kurylenko.[102][103][104][105] Some fans initially reacted to this choice by criticizing Gadot's appearance.[106] Snyder would later comment on his decision to cast Gadot, stating that he tested a "bunch of actresses, as you can imagine. But the thing with Gal is that she's strong, she's beautiful, and she's a kind person, which is interesting, but fierce at the same time. It's that combination of being fierce but kind at the same time that we were looking for.[107] Gadot described Diana as having "the heart of a human so she can be emotional, she's curious, she's compassionate, she loves people. And then she has the powers of a goddess. She's all for good, she fights for good."[7] She also said that Diana has "many strengths and powers, but at the end of the day she's a woman with a lot of emotional intelligence".[108] As to how her character is different from her appearance in Batman v Superman: Dawn of Justice, Gadot said "We go back 100 years to when she's more naive", further explaining, "She's this young idealist. She's pure. Very different to the experienced, super-confident, grown-up woman you've seen".[109] Gadot underwent a diet and training regimen, practiced different martial arts and gained 17 pounds of muscle for the role.[110][111] Gadot was previously offered a different role (as a villain) in Man of Steel, which she declined because she was pregnant at the time; this allowed her to later be cast as Wonder Woman in the film's follow-up.[112] Gadot signed a three-picture deal.[104] She was paid a base salary of $300,000 for the film itself.[113]
^ Esposito, Joey; Norris, Erik (December 14, 2011). "The Best of DC Comics in 2011. What are the best books coming out of the DC relaunch?". IGN. Archived from the original on September 16, 2012. Retrieved September 16, 2012. Sometimes it takes a completely fresh set of eyes to reignite the flame of creativity...By deeply rooting their new Wonder Woman series in Greek mythology, Brian Azzarello and Cliff Chiang have tapped into a creative well that appears bottomless.

She later became a major character in the DC Animated Universe in Justice League and its sequel, Justice League Unlimited. Both shows were massively popular and helped bring Wonder Woman back to relevance for a younger generation. The DCAU is notable for introducing the idea of a romance between Batman and Wonder Woman, something that was unheard of in the original comic books. Throughout the DCAU, Wonder Woman was voiced by Susan Eisenberg.
The events of Crisis on Infinite Earths greatly changed and altered the history of the DC Universe. Wonder Woman's history and origin were considerably revamped by the event. Wonder Woman was now an emissary and ambassador from Themyscira (the new name for Paradise Island) to Patriarch's World, charged with the mission of bringing peace to the outside world. Various deities and concepts from Greek mythology were blended and incorporated into Wonder Woman's stories and origin. Diana was formed out of clay of the shores of Themyscira by Hippolyta, who wished for a child; the clay figure was then brought to life by the Greek deities. The Gods then blessed and granted her unique powers and abilities – beauty from Aphrodite, strength from Demeter, wisdom from Athena, speed and flight from Hermes, Eyes of the Hunter and unity with beasts from Artemis and sisterhood with fire and the ability to discern the truth from Hestia.[101] Due to the reboot, Diana's operating methods were made distinctive from Superman and Batman's with her willingness to use deadly force when she judges it necessary. In addition, her previous history and her marriage to Steve Trevor were erased. Trevor was introduced as a man much older than Diana who would later on marry Etta Candy.[102] Instead, Perez created Julia and Vanessa Kapatelis, a Greek-American scholar and her teenage daughter whom Diana would live with when she was in Man's world and would be major supporting characters in the series for years.

After taking on the mantle God of War after killing her mentor War. Diana have shown some new abilities. She can now telepathically communicate and control all soldiers on the planet since she is their greatest leader. She hasn't shown the ability, but as her predecessor was able to bring back dead soldiers to fight alongside him, she might be able to do so as well.

Phobos returned alongside his sister Eris in alliance with Circe. Circe had amassed great power by bringing gods of various pantheons together. Among them were the Roman gods, who challenged the Olympians for their domain. It took much strength for Zeus to summon Hermes and Diana to New Olympus, where the gods had been trapped. Earth's heroes were able to turn the tide against Circe, but three gods died: Circe killed Hermes; Harmonia was killed by her sister Eris; and Eris herself was slain by Son of Vulcan. Zeus and the Olympians decided then to follow the call of Cronus and the Titans to help guide other worlds in the universe. New Olympus was left to the Roman gods.[14][15]

The I Ching era had an influence on the 1974 Wonder Woman TV movie featuring Cathy Lee Crosby, in which Wonder Woman was portrayed as a non-superpowered globe-trotting super-spy who wore an amalgam of the Wonder Woman and Diana Prince costumes. The first two issues of Allan Heinberg's run (Wonder Woman vol. 3, #1–2) include direct references to I Ching, and feature Diana wearing an outfit similar to that which she wore during the I Ching era.[9]

If you're looking for a certified God of War on a personal vendetta against a pantheon of gods, Wonder Woman has you covered. The current version of Diana hacking and slashing her way through the DC Universe, anyway. After unintentionally bringing a new collection of "Dark Gods" into the comic book universe, it falls to the daughter of Zeus to save Earth from their malice.
It’s strange to think that an issue that is mostly a fight scene would be a slow one. Wonder Woman and Jason go up against King Best with cool powers and team attacks. The problem, however, is that it continues to cut away from this action by showing what the other Dark Gods are doing. While it would be interesting to see such at the beginning, it is spread throughout and bogs the whole story down. I want to look at Wonder Woman and her brother fight a giant god, not learn that a random guy is hypnotized by a Dark God. It’s choppy storytelling like this that makes the comic feel more like a chore to read.
The Greek messenger god, Hermes, entrusts Wonder Woman with the protection of Zola, a young woman, who is pregnant with Zeus's child, from Hera, seething with jealousy and determined to kill the child.[131][132][133][134][135] With the appearance of a bizarre, new, chalk-white enemy, the goddess Strife (a reimagined version of Eris, the goddess of discord who had battled Wonder Woman in post-Crisis continuity), Wonder Woman discovers she, herself, is the natural-born daughter of Hippolyta and Zeus, who, after a violent clash, became lovers.[136] Hippolyta revealed Diana's earlier origin story to be a lie, spread amongst the Amazons to protect Diana from the wrath of Hera, who is known for hunting and killing several illegitimate offspring of Zeus.[136]

Writer Eric Luke next joined the comic and depicted Diana as often questioning her mission in Man's World, and most primarily her reason for existing. His most memorable contributions to the title was having Diana separate herself from humanity by residing in a floating palace called the Wonder Dome, and for a godly battle between the Titan Cronus and the various religious pantheons of the world. Phil Jimenez, worked on the title beginning with issue #164 (January 2001),[42] and produced a run which has been likened to Pérez's, particularly since his art bears a resemblance to Pérez's. Jimenez's run showed Wonder Woman as a diplomat, scientist, and activist who worked to help women across the globe become more self-sufficient. Jimenez also added many visual elements found in the Wonder Woman television series. One of Jimenez's story arcs is "The Witch and the Warrior", in which Circe turns New York City's men into beasts, women against men, and lovers against lovers.[43][44][45]

Membership Adam Strange · Agent Liberty · Amazing Man · Ambush Bug · Amethyst · Andrew Bennett · Antaeus · Animal Man · Atomica · August General in Iron · Azrael · Aztek · Batwing · Big Barda · Black Condor · Black Lightning · Black Orchid · Bloodwynd · Blue Beetle · Blue Devil · Blue Jay · Booster Gold · Bronze Tiger · Bulleteer · Captain Atom · Captain Cold · Captain Marvel · Catwoman · Congorilla · Creeper · Crimson Fox · Dark Flash · Deadman · Detective Chimp · Doctor Fate · Doctor Light · Doctor Mist · Donna Troy · Element Woman · Elongated Man · Enchantress · Equinox · Etrigan · Faith · Fire · Firehawk · Firestorm · Frankenstein · General Glory · Geo-Force · G'nort · Godiva · Guardian · Guy Gardner · Gypsy · Hourman · Huntress · Ice · Icemaiden · Jade · Jesse Quick · Jessica Cruz · John Constantine · John Stewart · Katana · Killer Frost · Kyle Rayner · Lex Luthor · Lightray · Lobo · L-Ron · Madame Xanadu · Major Disaster · Man-Bat · Manitou Raven · Maxima · Maya · Metamorpho · Mera · Mindwarp · Mister Miracle · Mon-El · Moon Maiden · Mystek · Nightmare Nurse · Nightwing · Nuklon · Obsidian · Olympian · O.M.A.C. · Oracle · Orion · Pandora · Phantom Stranger · Plastic Man · Power Girl · Ray · Red Arrow · Red Tornado · Rocket Red · Shade the Changing Man · Silver Sorceress · Simon Baz · Starfire · Stargirl · Starman · Steel · Steve Trevor · Swamp Thing · Super-Chief · Supergirl · Tasmanian Devil · Tattooed Man · Tomorrow Woman · Triumph · Vibe · Vixen · Zatanna · Zauriel

Zeus has made a woman called Zola pregnant. Hera, due to this, is furious. She sets out to kill Zola, but Hermes finds her first, only to find out that Zola does not want to come with Hermes. Zola opens the door, and an arrow is shot at her direction; Hermes pushes her away in time, and gives her a key, as assassins sent by Hera and it teleports to Wonder Woman’s apartment, because Hermes enlisted Wonder Woman to protect Zola. Zola gives Wonder Woman the key, and it teleports both Wonder Woman and Zola back to Zola’s house. After Zola finds out that she is pregnant with Zeus, it gets revealed that one of Zeus’ children is going to take his place, by Zeus’ own will. Wonder Woman takes Zola, along with Hermes, to Themiscyra where Diana explains to her Mother, Queen Hippolyta, why she took with herself Zola and Hermes to Themiscyra. Alongside all of this, Hippolyta tells Diana about her true origins; that her real father is Zeus. Diana’s reaction to this isn’t very well, so she decides to abandon Themiscyra. Hera is aware of the fact that Wonder Woman is Zeus’ daughter, and she arrives to Themiscyra, furiously. Wonder Woman realized she did a mistake by leaving her home, so she went back to Themiscyra where she sees that everyone has been turned into snakes by Hera, except for Hippolyta, she was turned into stone. Apollo arrives in a bar searching for War (Ares), and explains to him that Zeus doesn’t even exist from what he’s sources says. Apollo takes this as his chance to become the king of Olympus and the Gods.
Marc DiPaolo introduces us to Wonder Woman's creator and history and he demonstrates how she is a "WWII veteran, a feminist icon, and a sex symbol" all throughout her "career". Wonder Woman stars in multiple films and is most commonly known for her red, white and blue one piece, and her tall, sexy assertiveness. What many people don't know is that she is a big part of history in the comic and superhero world because of how her character influences real life people of all ages, sexes, ethnicities, and races. "Marston created the comic book character Wonder Woman to be both strong and sexy, as a means of encouraging woman to emulate her unapologetic assertiveness."[227] Charlotte Howell notes in her essay titled "'Tricky' Connotations: Wonder Woman as DC's Brand Disruptor" that Wonder Woman is, "inherently disruptive to masculine superhero franchise branding because, according to her creator William Moulton Marston, she was intended to be 'psychological propaganda for the new type of woman who, [he] believe[d], should rule the world.'"
The original significance of Wonder Woman had the intentions of influencing many women of all ages, displaying the physical and mental strengths, values, and ethical attributes that not only men acquire. "Wonder Woman symbolizes many of the values of the women's culture that feminists are now trying to introduce into the mainstream: strength and self-reliance for women; sisterhood and mutual support among women; peacefulness and esteem for human life; a diminishment both of 'masculine' aggression and of the belief that violence is the only way of solving conflicts," Steinem wrote at the time.[223]
Diana quickly regained her sanity and was taken out of the mental hospital's care. She immediately noted the absence of Barbara and set out to locate her. However, when she arrived at Empire Enterprises, she was greeted only by Doctor Cyber.[81] Cale set Team Poison onto Wonder Woman once again, and Colonel Poison managed to shoot Diana through the chest. Diana and Steve quickly overcame their forces and followed Veronica Cale and Cheetah to a gateway that led to Themyscira. Wonder Woman and Cheetah fought, and a drop of Diana's blood fell onto the gateway which opened the portal to Ares' prison beneath Themyscira. Phobos and Deimos, whom Cale had turned into dogs with the help of Circe, entered the portal, along with Diana and Veronica Cale. Veronica found her daughter beside Ares.[82]

Marston was an outspoken feminist, swinger, and firm believer in the superiority of women.[26] He described bondage and submission as a "respectable and noble practice". Marston wrote in a weakness for Wonder Woman, which was attached to a fictional stipulation that he dubbed "Aphrodite's Law", that made the chaining of her "Bracelets of Submission" together by a man take away her Amazonian super strength.[27][28][29]
Marston was an outspoken feminist, swinger, and firm believer in the superiority of women.[26] He described bondage and submission as a "respectable and noble practice". Marston wrote in a weakness for Wonder Woman, which was attached to a fictional stipulation that he dubbed "Aphrodite's Law", that made the chaining of her "Bracelets of Submission" together by a man take away her Amazonian super strength.[27][28][29]

Wonder Woman, Hermes and Zola is at a café where a guy called Lennox, who knew that Zola is pregnant with Zeus and who Wonder Woman and Hermes really is arrived there, and tells to Wonder Woman that he is Diana’s brother. He tells to Diana that she has to be at the London Bridge at six, or she’d regret it. She’s there at six, and Poseidon arrives, and tells Diana that he wants to be the new god of the gods, whereas Lennox goes into a cave shown to him by Hermes, and there he meets Hades who also wants to claim the throne of the Heavens. After Hera arrives, Wonder Woman tricks all of them, and Hades goes back into his cave, and tricks Zola to come to him and kidnap her, he told Diana that they struck a bargain, and when she has fulfilled her’s, she shall get Zola back.
Duing the Perez run on the character, there were not as many story arcs either, but they did become more defined. Her entrance into Man’s World was to stop a global nuclear war created by Ares. She also had introduced a modern version of the Cheetah, Circe, Doctor Psycho and Silver Swan. One of the defining story arcs at this time was the Challenge of the Gods, where she discovers the truth about her own past as she journeys into the underworld. In this time as well she was a part of numerous company-wide crossovers including Millennium, Invasion and one focused on herself, the War of the Gods. The latter was Perez’s swansong on the character and with Messner Loebs taking over afterwards the direction of the character changed again somewhat. Under his direction, Diana became involved in battle factions of organized crime in Boston, and faced off against Ares Buchanan and the White Magician. This resulted in Wonder Woman being marooned in space, and returning to uncover the plot. During the events of Zero Hour a slightly different version of her origin is told, and Artemis wins the right to be Wonder Woman in another contest. This ends eventually with Diana battling the White Magician after Artemis has been killed. The John Byrne run equally was without as many defined story arcs except specifically with how her death affected others. This was also incorporated into the company wide Genesis event. Once she returned she faced a new villain known as Devastation who she battled occasionally, and she also took responsibility for Cassandra Sandsmark (who would later become Wonder Girl.) As a prominent character within the DC universe she took part in company-wide crossovers like Our Worlds at War and the Joker’s Last Laugh. When Rucka took over, some of the character's most memorable story arcs occurred, and most famously among them Stoned and the Superman story arc Sacrifice which ended in Wonder Woman #219 with her killing Maxwell Lord.
Principal photography on the film began on November 21, 2015,[119][120] under the working title Nightingale.[121][122] Among the film sets were Lower Halstow, Kent,[123] and Australia House[124] in England and the Sassi di Matera,[125] Castel del Monte[125] and Camerota[126] in Southern Italy. Matthew Jensen was the director of photography,[127] filming in the United Kingdom, France and Italy.[128] Production in London concluded on March 13, 2016.[129] On March 20, 2016, filming was underway in Italy. In late April, filming took place at the Louvre Museum in Paris, France, where a Wayne Enterprises truck was spotted alongside Gadot.[130] Principal photography finished on May 9, 2016.[131] Patty Jenkins and director of photography Matt Jensen said that the film's look was inspired by painter John Singer Sargent.[132] Reshoots took place in November 2016, while Gadot was five months pregnant. A green cloth was placed over her stomach to edit out her pregnancy during post-production.[133]
Their greatest champion, Princess Diana soon lost her life against the demon Neron.[21] Hera (now presiding over Olympus) transfigured Diana into a goddess of truth and welcomed her to live with the gods. Diana was told she could not interfere with the daily lives of mortals, unless prayed to. Hera sits on the throne.[22] The gods shared the secret of their division with Diana and decided to reunite their essences with those of their Roman counterparts.[23] Diana could not be prevented from interfering with the mortal world and so she was banished to Earth.[24] She was soon also stripped of her immortality.[25]
An iron-fisted general of the German Army during World War I.[29] Huston described Ludendorff as a "pragmatist, realist, patriotic, fighting for his country", further explaining, "he lost his son on the German front lines and was just quite tortured, diabolical, stubborn and believes that what he's doing is for the betterment of mankind."[30] On his character, Huston said, "Ludendorff is a believer that war is a natural habitat for humans." Huston stated the film as an anti-war film and "somebody like Ludendorff would probably think that the idea that love conquers all is quite a naive concept. But finally it's true and sometimes the best way to examine mankind is from another perspective." On the genre of the film, Huston said, "It's Greek mythology. It's the origin of story and sometimes we need demigods to look at us to understand what our weaknesses are. It serves the mythological world."[31]
The sister of Hippolyta, general of the Amazonian army, Diana's aunt and mentor.[17] On being cast for the film, Wright said, "It's two-fold because when Patty Jenkins called me, the director, it was a three-minute long conversation. She said, 'I'm doing a movie about Wonder Woman. Do you want to be her trainer?' And I was like, 'Yes. Of course.' And the general of the Amazonian army. That was pretty cool."[25] Describing her character mentoring and training Diana to be a warrior, Wright said, "It's a sixth sense that it is coming and I think that's also in the mythological story behind Antiope and Queen Hippolyta. They know it's coming and it's her duty as the aunt to her young niece to make sure she is the fiercest warrior of all time." On the Amazons fighting style, Wright said, "It's hand combat. Yes, swords and knives and arrows, but the precision that they have, right, as these warrior women; it's so nice to see that disparity between what we had in the day of just raw fighting materials and the guns and how easy that is in comparison." The message of the film, Wright stated, "is not just female empowerment. It's about love and justice. That's what the film's about. And what a great message to spread to our little ones."[26][27] Commenting about training for the film, Wright said, "The most empowering was to get into that physical shape. So we were doing horseback riding training, weight training, martial arts, and 2,000 to 3,000 calories a day".[28]

A warning that is first heard from the lips of Cheetah as she attempts to escape captivity, yet is echoed by others around the globe, all putting Wonder Woman on alert. As she attempts to investigate, she is attacked by Supergirl, wanting vengeance for the death of Rao, as the influence has gotten to her as well. An epic battle breaks out, and once again, the trusty Lasso of Truth saves the day, though barely.
After Jimenez, Walt Simonson wrote a six-issue homage to the I Ching era, in which Diana temporarily loses her powers and adopts an all-white costume (Wonder Woman vol. 2, #189–194). Greg Rucka became writer with issue #195. His initial story arc centered upon Diana's authorship of a controversial book and included a political subtext. Rucka introduced a new recurring villain, ruthless businesswoman Veronica Cale, who uses media manipulation to try to discredit Diana. Rucka modernized the Greek and Egyptian gods, updating the toga-wearing deities to provide them with briefcases, laptop computers, designer clothing, and modern hairstyles. Rucka dethroned Zeus and Hades, who were unable to move with the times as the other gods had, replacing them with Athena and Ares as new rulers of the gods and the underworld. Athena selected Diana to be her personal champion.[9]

Suddenly, Zola and the others were attacked by Artemis, who was sent by Apollo to kill Zeke, Zola's son. While Zola and the others escaped with Zeke, Wonder Woman took on Artemis by herself. Diana defeated Artemis and went to protect Zola and the others, while Ares took the defeated Artemis back to Apollo.[33] However, the First Born and Cassandra, two of Zeus' illegitimate children, attacked Zola. Wonder Woman, Lennox and Orion worked together to fight the First Born, but he proved to be stronger than they had anticipated. Orion's Astro Harness incapacitated Cassandra, and Orion opened a Boom Tube so that Wonder Woman and her allies could escape. The First Born attempted to pry the Boom Tube open, but Lennox sacrificed himself so that the others could escape safely. Wonder Woman and her allies arrived at the other side of the Boom Tube and were greeted by Highfather, who explained that they were on New Genesis.[34]
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