When Marston died in 1947 Robert Kanigher took over and Diana became less of a feminist character but during this time, her abilities expanded as she wore earrings that provided her with the air she needed when she was in outer space and she had an invisible plane. Extra additions included a tiara which could cut through almost anything and acted as a boomerang and her bracelets now had two way radios.
Following Pérez, William Messner-Loebs took over as writer and Mike Deodato became the artist for the title. Messner-Loebs introduced Diana's Daxamite friend Julia in Wonder Woman vol. 2 #68 during the six-issue space arc. Messner-Loebs's most memorable contribution to the title was the introduction of the red-headed Amazon Artemis, who took over the mantle of Wonder Woman for a short time. He also included a subplot during his run in an attempt to further humanize Diana by having her work for a fictional fast food chain called "Taco Whiz".
Upon arriving, Diana and Hermes found themselves under attack by Hades' minions. Though they fought them off, they were surprised to find that time for Zola had passed much more quickly than for them. Her pregnancy was nearly at the end of its term. When they attempted to leave with her, Hades appeared, warning that one of them must stay behind - and if Diana was unprepared to make Hera his wife as promised - she would do. However, upon Eros' pistols, he instead agreed to let them all go in exchange for them. When Diana's back was turned, he fired them at her, and she fell under love's spell to him.
While the story is very flawed, the art of this arc has been fantastic, and this issue is no exception. Jesús Merino continues to show off his mastery as an illustrator with the battle against King Best. The design of the leader of the Dark Gods is terrific, and the Amazon twins have never looked better. Jason, in particular, looks great as the details in his powers make him appear more powerful than ever. Even if next issue falls apart, I do not doubt that the art will still go above and beyond.
Beyond the US and Canada, the film was released day-and-date with its North American debut in 55 markets (72% of its total release), and was projected to debut with anywhere between $92–118 million. It ended up opening to $125 million, including $38 million in China, $8.5 million in Korea, $8.4 million in Mexico, $8.3 million in Brazil and $7.5 million in the UK. In its second week of release, the film brought in another $60 million, including holding the top spot on France, the UK, Australia and Brazil. In the Philippines, it broke 2017 box office record for highest-earning non-holiday opening day—earning $4.7 million and becoming the 9th-most successful commercial film of all time as well overtaking the record set by Batman v Superman: Dawn of Justice. The film opened in its last market, Japan, on August 25 and debuted to $3.4 million, helping the international gross cross the $400 million mark. The biggest markets of Wonder Woman outside North America are China (US$90 million) followed by Brazil (US$34 million), UK (US$28 million), Australia($23 million) and Mexico($22 million).
Earning a total of $103.3 million on its opening weekend, the film recorded a number of records: the biggest domestic opening of all time for a female director (surpassing previous record holder Fifty Shades of Grey), the biggest DC Comics release without Batman or Superman (ahead of Constantine), the sixth-biggest non-sequel comic book superhero debut ever, as well as the sixth-biggest June debut weekend. Its three-day opening alone made it the highest-grossing woman-led comic book superhero film ever (surpassing Ghost in the Shell). It was also the 16th superhero film to cross $100 million in its domestic box office launch. About 9% ($9 million) of the opening weekend came from IMAX screenings from 343 theaters. In its second week the film grossed $58.5 million, again topping the box office. It marked a 43.3% drop for its second weekend at the box office, better than the average 50–60% decline superhero films tend to see, and was a better second weekend than Batman v Superman: Dawn of Justice ($51.3 million) and Suicide Squad ($43.5 million). In its third weekend it grossed $40.8 million, finishing second behind newcomer Cars 3 ($53.5 million). It was the second-best third weekend ever for Warner Bros. and was nearly double what Batman v Superman ($23.3 million), Suicide Squad ($20.9 million) and Man of Steel ($20.7 million) made in their third weekends. It earned $24.9 million and $15.7 million in its fourth and fifth weekends, respectively, dropping just 39% and 36% despite facing rough competition from opening films Transformers: The Last Knight and Despicable Me 3. It eventually became the highest-grossing film directed by a woman, surpassing the previous records of Jennifer Yuh Nelson's Kung Fu Panda 2 and Phyllida Lloyd's Mamma Mia!. By August 8, the film had garnered $400 million in ticket sales, becoming the second female-fueled film (after Disney's Beauty and the Beast), Warner Bros.' third-biggest movie (after Christopher Nolan's The Dark Knight and The Dark Knight Rises), holding the record of the highest-earning superhero origin film, replacing the previous record held by Spider-Man (2002). It also becoming the highest-earning film with a female director in terms of domestic earnings—surpassing Frozen (2013).
Aegeus Angle Man Ares/Mars Baron Blitzkrieg Baroness Paula von Gunther Blue Snowman Veronica Cale Captain Wonder Cheetah Circe Dark Angel Decay Doctor Cyber Doctor Poison Doctor Psycho Duke of Deception Earl of Greed Egg Fu/Chang Tzu Eviless First Born Genocide Giganta Grail Hades Hypnota Kung Lord Conquest/Count of Conquest Mask Medusa Minister Blizzard Osira Queen Clea Red Panzer Silver Swan Tezcatlipoca Zara
Antiope Aphrodite Artemis Artemis of Bana-Mighdall Drusilla Etta Candy Fury Hephaestus Hera Heracles/Hercules Hermes I Ching Julia and Vanessa Kapatelis Justice League Superman Batman The Flash/Barry Allen Green Lantern/Hal Jordan Aquaman Martian Manhunter Cyborg Mala Nemesis (Thomas Tresser) Nubia The Olympian Orion Paula von Gunther Philippus Poseidon Queen Desira Queen Hippolyta Helena Sandsmark Sarge Steel Steve Trevor Wonder Girl (Cassie Sandsmark / Donna Troy) Zeus Zola
Not long after this, Athena sensed a dark destiny for the gods amidst the cosmic mechanations of Alexander Luthor Jr.. In the crisis created by his chaos, Diana was forced to kill Maxwell Lord, and incurred the ire of the world's public. The U.S. government responded by mobilizing against Themyscira, and Diana realized that as long as she was a target, the Amazons would never be safe. Diana prayed to the gods to take the Amazons to safety, but got more than she bargained for. On Olympus, she pleaded against Athena's decision to remove the gods from Earth's affairs. Regardless, the gods departed, leaving Diana bereft of family and faith.
The Crime Syndicate imprisoned the Justice Leagues inside the Firestorm Matrix which psychologically placed them in situations that depicted their greatest failures. Wonder Woman was placed in a situation where she was forced to do battle against both Amazons and humans for the lives of Superman and Steve Trevor. Martian Manhunter and Stargirl attempted to break her out but Wonder Woman ignored them.
In the 1910s, Peter was a staff artist at the magazine Judge, where he contributed to its suffrage page called “The Modern Woman,” which ran from 1912 to 1917. More regularly, the art on that page was drawn by another staff artist, a woman named Lou Rogers. Rogers’ suffrage and feminist cartoons very often featured an allegorical woman chained or roped, breaking her bonds. Sanger hired Rogers as art director for the Birth Control Review, a magazine she started in 1917. In 1920, in a book called Woman and the New Race, Sanger argued that woman “had chained herself to her place in society and the family through the maternal functions of her nature, and only chains thus strong could have bound her to her lot as a brood animal.” In 1923, an illustration commissioned by Rogers for the cover of Birth Control Review pictured a weakened and desperate woman, fallen to her knees and chained at the ankle to a ball that reads, “UNWANTED BABIES.” A chained woman inspired the title of Sanger’s 1928 book, Motherhood in Bondage, a compilation of some of the thousands of letters she had received from women begging her for information about birth control; she described the letters as “the confessions of enslaved mothers.”
^ Garcia, Joe. "The Best & Worst of DC Comics' New 52, One Year Later". Front Towards Gamer. Archived from the original on September 10, 2012. Retrieved September 5, 2012. Despite being one part of the Justice League's "Holy Trinity", Wonder Woman never seems to get the recognition that she deserves. While she might not be invincible, her strength is second only to Superman and she's arguably a better fighter. Her solo outings, however, were rarely very interesting. The New 52 put an end to that injustice, with Brian Azzarello and Cliff Chiang spearheading one of the best books DC is putting out. Azzarello currently has Wonder Woman tearing through the ranks of Greek mythology, and Chiang's art manages to be intense despite his use of softer lines. If you're not reading Wonder Woman, go rectify that.
Shortly after, Diana decides to venture to the Underworld to look for Zola. Lennox requests to come, but Diana shoots down his attempt, saying that she is going solo, save for Hermes as the only way to go to Hades is to either die or be escorted by Hermes. While in the Underworld, Hermes tells that the place is more or less an extension of Hades' (now preferring to call himself "Hell") will.
After Darkseid and Grail's retreat, they returned to a base in the Amazon Rainforest, where Darkseid was setting his mysterious plans into motion. He tasked his loyal Female Furies with tracking down a godly relic he needed, but they were unable to do so thanks to the intervention of Steve Trevor and his A.R.G.U.S. forces. Meanwhile, Wonder Woman fought a number of villains that had been recruited by Veronica Cale: Zara of the Crimson Flame, Blue Snowman and Anglette. As Diana caught up with Steve at A.R.G.U.S. HQ, Jason returned wearing a suit of armor gifted to him by the gods, but with no knowledge of its purpose. As news came in of an attack by Grail, Wonder Woman and Jason immediately responded just in time to prevent Grail from killing another demigod. Wonder Woman bound Grail in the Lasso of Truth and forced her to reveal Darkseid's plans. Grail explained that Darkseid was looking to build himself an army of Amazons. Due to her half-Amazon blood, Grail was able to break free from the Lasso's grip and retreated.
In the "Watchmen" sequel "Doomsday Clock," Doctor Poison attended the meeting established by the Riddler and mentioned a rumor that Wonder Woman was forcefully dragged back to Themyscira by her fellow Amazons. Wonder Woman comes out of hiding to address the United Nations, hoping to defuse the metahuman arms race. However, the summit is interrupted by Black Adam, the Creeper, and Giganta, who take advantage of the absence of most of Earth's superheroes to attack the UN at the time when the superheroes were confronting Doctor Manhattan on Mars.
She also had an array of mental and psychic abilities, as corresponding to Marston's interest in parapsychology and metaphysics. Such an array included ESP, astral projection, telepathy (with or without the Mental Radio), mental control over the electricity in her body, the Amazonian ability to turn brain energy into muscle power, etc. Wonder Woman first became immune to electric shocks after having her spirit stripped from her atoms by Dr. Psycho's Electro Atomizer; it was also discovered that she was unable to send a mental radio message without her body.
The success of the superhero television series Supergirl informed the marketing and promotion strategy used for Wonder Woman. According to Time Warner chief marketing officer Kristen O'Hara, they wanted to approach the Wonder Woman marketing campaign in a light manner, similar to how they did with Supergirl. O'Hara elaborated that the modest campaign route they took for Supergirl aided in establishing a large central fanbase among women well in advance of the series, which reportedly generated 5 million female superhero fans in one week. They were then able to model over time, and grow that audience leading up to the 15-months-later release of Wonder Woman. Though neither the film nor the series are aimed exclusively at women, the latter's campaign gave them their first opportunity to begin collecting data about female superhero fans. In May 2017, a promo for Wonder Woman was released during the season finale of Supergirl, featuring a remix of the song "These Boots Are Made for Walkin'" and Supergirl (Melissa Benoist) wearing Wonder Woman's boots. The promo included an appearance by Lynda Carter, star of the 1970s Wonder Woman, who plays the American president on Supergirl.
The events of Crisis on Infinite Earths greatly changed and altered the history of the DC Universe. Wonder Woman's history and origin were considerably revamped by the event. Wonder Woman was now an emissary and ambassador from Themyscira (the new name for Paradise Island) to Patriarch's World, charged with the mission of bringing peace to the outside world. Various deities and concepts from Greek mythology were blended and incorporated into Wonder Woman's stories and origin. Diana was formed out of clay of the shores of Themyscira by Hippolyta, who wished for a child; the clay figure was then brought to life by the Greek deities. The Gods then blessed and granted her unique powers and abilities – beauty from Aphrodite, strength from Demeter, wisdom from Athena, speed and flight from Hermes, Eyes of the Hunter and unity with beasts from Artemis and sisterhood with fire and the ability to discern the truth from Hestia. Due to the reboot, Diana's operating methods were made distinctive from Superman and Batman's with her willingness to use deadly force when she judges it necessary. In addition, her previous history and her marriage to Steve Trevor were erased. Trevor was introduced as a man much older than Diana who would later on marry Etta Candy. Instead, Perez created Julia and Vanessa Kapatelis, a Greek-American scholar and her teenage daughter whom Diana would live with when she was in Man's world and would be major supporting characters in the series for years.
Steve Trevor died at the end of Wonder Woman after sacrificing himself to ensure that a plane full of deadly gas couldn’t harm anyone on the ground. Is this Steve Trevor the same Steve Trevor that we saw in Wonder Woman who was transported to 1984 because of something like time travel, a descendant of Steve Trevor’s who is also named Steve Trevor (and looks exactly like Pine), a clone, or something else entirely? (It’s a comic book movie, so anything is possible.)
Although she has traditionally paired with either Steve Trevor or no one as a main romantic lead, and Superman with either Lois Lane or Lana Lang, there has often been the hint of a romance between the two characters. This began in the 1960 in the series Superman's Girlfriend, Lois Lane which was equal parts romance and action themed. In order to drive along the romance, the theme often came up of Lois Lane believing that Superman really loved Wonder Woman (though this was mostly for the purposes of a case.) In later years the same ideas perpetuated though most in imaginary stories or alternate tellings of the future. Following Crisis on Infinite Earths the characters were briefly linked romantically in Action Comics #600 which was written by John Byrne. Subsequently the characters' interest in one another was generally portrayed as a strong friendship (this occurred under different writers, primarily Messner-Loebs and Rucka.) Following the reboot of the DC universe into the new 52 the characters once again showed a romantic interest in one another. They found common ground in the isolation which their power give them and shared a kiss in Justice League #12 in 2012. It was later on revealed by Geoff Johns that their relationship wouldn't last for long and will end badly.
Diana, after her death, was granted divinity as the Goddess of Truth by her gods for such faithful devotion. During her brief time as a god of Olympus, Diana was replaced in the role of Wonder Woman by her mother, Queen Hippolyta. Unlike Diana receiving the title of Wonder Woman in honor, Hippolyta's role as Wonder Woman was meant to be a punishment for her betrayal in Artemis' death as well as for unintentionally killing her own daughter. However, Hippolyta eventually grew to enjoy the freedom and adventure the title came with. Whereas Diana used the Lasso of Truth as her primary weapon, Hippolyta favored a broad sword.
Her various durability levels originally stemmed from her Amazonian training. In post-Golden Age and Pre-52, Demeter (Goddess of the Earth) granted her immunity to radiation and the coldness of space; she also possesses a high level of resistance against fire and high temperatures, she has been shown taking fire, lava, thermonuclear explosions, hell fire and even superman's heat vision, however, her invulnerability has a vulnerable point against piercing weapons. Wonder Woman can fight with and withstood considerable damage in the form of hand to hand combat with opponents such as Superman and Gods. Wonder Woman possesses a high resistance to damage and magical attacks. Also she was self-sufficient in the fact that Wonder Woman did not have to eat or sleep and could hold her breath under water for hours and hours. This may still hold true in the new 52, Wonder Woman has still shown the ability to fight on with little to no rest or food to replenish her strength.
The girl who wondered has seen wonders... has become a woman who has traveled the world, who has traveled worlds! A woman who has touched countless lives, has made them better in ways beyond measure. A woman who has brought hope, and joy, and love. A woman who is the hero of so many. The truth of you has never changed, Diana. Even the gods themselves could not take that from you. Why would we? It's one of the many reasons we love you.
Storylines The 18th Letter • A League of One • A Piece of You • Amazons Attack! • Beauty and the Beasts • Birds of Paradise • Bitter Rivals • Blood • Bones • The Bronze Doors • The Challenge of Artemis • Challenge of the Gods • Champion • The Circle • The Contest • Counting Coup • Depths • Destiny Calling • Devastation • Devastation Returns • Down to Earth • Ends of the Earth • Expatriate • Flesh • The Game of the Gods • God Complex • Gods and Mortals • Gods of Gotham • Godwar • Guts • Iron • Judgment in Infinity • Land of the Lost • Levels • Love and Murder • Lifelines • Marathon • The Men Who Moved the Earth • A Murder of Crows • Odyssey • The Pandora Virus • Paradise Island Lost • Revenge of the Cheetah • Rise of the Olympian • Sacrifice • Second Genesis • Stoned • Three Hearts • Trinity 98 • The Twelve Labors • War • Warkiller • War-Torn • Who is Donna Troy? • Who is Troia? • Who Is Wonder Woman? • The Witch and the Warrior • Wrath of the Silver Serpent
Critics such as Valerie Estelle Frankel support Jenkins's vision. Frankel argues that the film subverts the male gaze, stating that the construction of Wonder Woman tends to shift every few decades as it reflects the state of feminism during different time periods, including third-wave feminism (which reflects Jenkins's approach). Zoe Williams offers a similar argument, stating that while Wonder Woman "is sort of naked a lot of the time," that is not, at the same time, "objectification so much as a cultural reset: having thighs, actual thighs you can kick things with, not thighs that look like arms, is a feminist act". Williams then juxtaposes Wonder Woman to past female action heroes such as Sarah Connor, Ellen Ripley, and Lara Croft, whom she suggests were all constructed for the male gaze, in which a "female warrior becomes a sex object", (a point which she argues that Jenkins directly references in the film).
Hidden behind this controversy is one reason for all those chains and ropes, which has to do with the history of the fight for women’s rights. Because Marston kept his true relationship with Olive Byrne a secret, he kept his family’s ties to Margaret Sanger a secret, too. Marston, Byrne and Holloway, and even Harry G. Peter, the artist who drew Wonder Woman, had all been powerfully influenced by the suffrage, feminism and birth control movements. And each of those movements had used chains as a centerpiece of its iconography.
When Hippolyta and the other Amazons were trapped in a demonic dimension, she started receiving visions about the death of Wonder Woman. Fearing her daughter's death, Hippolyta created a false claim that Diana was not worthy of continuing her role as Wonder Woman, and arranged for a contest to determine who would be the new Wonder Woman, thus protecting Diana from her supposed fate. The participants of the final round were Diana and Artemis, and with the help of some mystic manipulation by Hippolyta, Artemis won the contest. Thus, Diana was forced to hand over her title and costume to Artemis, who became the new Wonder Woman and Diana started fighting crime in an alternate costume. Artemis later died in battle with the White Magician – thus, Hippolyta's vision of a dying Wonder Woman did come true, albeit not of Diana as Wonder Woman. Diana once again became Wonder Woman, a request made by Artemis in her last seconds. Artemis would later return as Requiem. Prior to Artemis' death, Hippolyta would admit to her daughter about her own part in Artemis' death, which strained their relationship as Diana was unable to forgive her mother for sending another Amazon to her death knowingly for the sake of saving her own daughter.
Although she initially forbids Diana to be trained as a warrior, Hippolyta reluctantly agrees to let General Antiope, Hippolyta's sister and Diana's aunt, train her, only more rigorously than any other warrior. In 1918, Diana, now a young woman, rescues US pilot Captain Steve Trevor when his plane crashes off the Themysciran coast. The island is soon invaded by German soldiers that had been pursuing Trevor. The Amazons kill the crew, but Antiope sacrifices herself to save Diana. Steve is interrogated with the Lasso of Hestia and reveals that a great war is consuming the outside world and that he is an Allied spy. He has stolen a notebook of the chief chemist Dr. Isabel Maru, who is attempting to engineer a deadlier form of mustard gas under the orders of General Erich Ludendorff from a weapon facility in the Ottoman Empire. Believing Ares to be responsible for the war, Diana arms herself with the "Godkiller" sword, the lasso, and armor before leaving Themyscira with Steve to locate and stop Ares for good.
In the preview in DC Comics Presents #41 (January 1982), writer Roy Thomas and penciler Gene Colan provided Wonder Woman with a stylized "WW" emblem on her bodice, replacing the traditional eagle. The "WW" emblem, unlike the eagle, could be protected as a trademark and therefore had greater merchandising potential. Wonder Woman #288 (February 1982) premiered the new costume and an altered cover banner incorporating the "WW" emblem. The new emblem was the creation of Milton Glaser, who also designed the "bullet" logo adopted by DC in 1977, and the cover banner was originally made by studio letterer Todd Klein, which lasted for a year and a half before being replaced by a version from Glaser's studio. Dann Thomas co-wrote Wonder Woman #300 (Feb. 1983) and, as Roy Thomas noted in 1999 "became the first woman ever to receive scripting credit on the world's foremost super-heroine."
Veronica Cale employed the toxicologist Colonel Poison, who led Team Poison, a team that attempted to capture Diana and Steve. In order to protect Diana in her vulnerable state, Steve had her admitted to a mental hospital in London. Team Poison continued to pursue Steve, Barbara and Commander Etta Candy, however. Barbara, who had been a member of Godwatch when she was Cheetah, decided to speak to Veronica herself. Cale and Doctor Cyber showed Barbara footage of Team Poison, who were about to kill her friends, and Barbara agreed to become Cheetah again in exchange for Veronica calling off the team and sparing their lives.
During Marston's run, Diana Prince was the name of an army nurse whom Wonder Woman met. The nurse wanted to meet with her fiancé, who was transferred to South America, but was unable to arrange for money to do so. As Wonder Woman needed a secret identity to look after Steve (who was admitted to the same army hospital in which Diana Prince worked), and because both of them looked alike, Wonder Woman gave the nurse money to go to her fiancé in exchange for the nurse's credentials and took Diana Prince as her alias. She started to work as an army nurse and later as an Air Force secretary.
Soon thereafter, the gods secreted themselves away for a conference. At this time, Darkseid attacked Olympus. The dark god ceased hostilities, though, as soon as he realized the place was deserted. When the gods returned, they had decided upon destroying Mount Olympus and undertaking a "cosmic migration" to the stars. Over Hermes' objections, they took several steps. First, the three elder brothers made a new pact to replace the original pact which divided Earth among them. Then, they combined the will of all the gods (minus Ares) and the strength of Amazon prayer, and used Diana's bracelets to amplify that power (the bracelets are all that remained of Zeus' Aegis; this Aegis was made from the hide of Amalthea, the goat which reared him. Thus, the old home was demolished and New Olympus was created. In order to properly establish this new home, it was necessary for the Gods to sequester themselves indefinitely.
In 1972, just months after the groundbreaking US Supreme Court decision Roe v. Wade, science fiction author Samuel R. Delany had planned a story for Ms. that culminated in a plainsclothes Wonder Woman protecting an abortion clinic. However, Steinem disapproved of Wonder Woman being out of costume, and the controversial story line never happened.