Wonder Woman received a largely positive response from film critics, with some calling it the DC Extended Universe's best film, with additional praise highlighting Jenkins's direction, acting, chemistry of Gadot and Pine, musical score, and action sequences. On the review aggregator Rotten Tomatoes, the film holds an approval rating of 93% based on 425 reviews, with an average rating of 7.66/10. The website's critical consensus reads, "Thrilling, earnest, and buoyed by Gal Gadot's charismatic performance, Wonder Woman succeeds in spectacular fashion." It is the second highest-rated superhero film on the site.[note 1] On Metacritic, the film has a weighted average score of 76 out of 100, based on 50 critics, indicating "generally favorable reviews". Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale, while PostTrak reported filmgoers gave it an 85% overall positive score and a 73% "definite recommend".
An iron-fisted general of the German Army during World War I. Huston described Ludendorff as a "pragmatist, realist, patriotic, fighting for his country", further explaining, "he lost his son on the German front lines and was just quite tortured, diabolical, stubborn and believes that what he's doing is for the betterment of mankind." On his character, Huston said, "Ludendorff is a believer that war is a natural habitat for humans." Huston stated the film as an anti-war film and "somebody like Ludendorff would probably think that the idea that love conquers all is quite a naive concept. But finally it's true and sometimes the best way to examine mankind is from another perspective." On the genre of the film, Huston said, "It's Greek mythology. It's the origin of story and sometimes we need demigods to look at us to understand what our weaknesses are. It serves the mythological world."
Voiced by Vanessa Marshall. A movie where an alternate version of Lex Luthor travels to the mainstream universe to ask the JLA for help regarding the alternate version of Lex's universe. The Crime Syndicate of America runs their world through intimidation and blackmailing the USA's president (Slade Wilson). Wonder Woman's counterpart is Superwoman, and she equals Wonder Woman in every way.
In the preview in DC Comics Presents #41 (January 1982), writer Roy Thomas and penciler Gene Colan provided Wonder Woman with a stylized "WW" emblem on her bodice, replacing the traditional eagle. The "WW" emblem, unlike the eagle, could be protected as a trademark and therefore had greater merchandising potential. Wonder Woman #288 (February 1982) premiered the new costume and an altered cover banner incorporating the "WW" emblem. The new emblem was the creation of Milton Glaser, who also designed the "bullet" logo adopted by DC in 1977, and the cover banner was originally made by studio letterer Todd Klein, which lasted for a year and a half before being replaced by a version from Glaser's studio. Dann Thomas co-wrote Wonder Woman #300 (Feb. 1983) and, as Roy Thomas noted in 1999 "became the first woman ever to receive scripting credit on the world's foremost super-heroine."
The Gods, led by Athena, create the Amazons in Greece to realize their ideals and bring humans into following them. The leader of the Amazons, Hippolyta feels a yearning for a child). She makes a clay form of a child and prays to the Gods. Hearing this the Gods give the clay form, transforming it into a live child blessed with Gaea's gift, life. The Gods grant her various abilities and she grows up as Diana of Themyscira.
Wonder Woman figures were released for Justice League and Justice League Unlimited. Prior to that, there were plans for a show called Wonder Woman and the Star Riders, which similar to Sailor Moon, would have featured Wonder Woman leading a team of teen magical girls. Prototype dolls for the series were made. There was also a statue from the animated Wonder Woman movie and a Wonder Woman action figure for the Justice League War movie. Wonder Woman dolls and figures were also released for the DC Super Hero Girls line.
Storylines "American Dreams" · "Breakdown" · "Breakdowns" · "Crisis of Conscience" · "Crisis Times Five" · "Cry for Justice" · "The Dark Things" · "Divided We Fall" · Earth-2 · "Earth-Mars War" · "Extinction" · "Golden Perfect" · Justice · Identity Crisis · "In the Dark" · "Injustice League Unlimited" · JLA/Avengers · "Justice For All" · "The Lightning Saga" · "A Midsummer's Nightmare" · "A New Beginning" · "New World Order" · "The Obsidian Age" · "Omega" · "Origin" · "Pain of the Gods" · "The Queen of Fables" · "The Rise of Eclipso" · "Rock of Ages" · "Royal Pain" · "Rules of Engagement" · "Sanctuary" · "The Second Coming" · "The Signal Masters" · "Strength in Numbers" · "Syndicate Rules" · "Team History" · "The Tenth Circle" · "Terror Incognita" · "Throne of Atlantis" · "The Tornado's Path" · "Tower of Babel" · "Trial by Fire" · "The Villain's Journey" · "When Worlds Collide" · "World War III" · "World Without a Justice League" · Year One
As Hippolyta was still a clay statue, Diana was forced to take the Amazon throne, at least until she could find a way to turn her mother back to normal. At the same time, the Justice League had discovered strange environmental events that had destroyed small villages around the world, leaving only vegetation behind. Furious, Wonder Woman attacked Swamp Thing, accusing him of causing such devastation, while Swamp Thing claimed innocence. Aquaman defused the situation before it could escalate any further. Later, Wonder Woman returned to Themyscira, only to discover Hippolyta's statue had crumbled. On a training session, Clark asked Diana if she wanted to talk about her recent experiences, but Diana replied that, as queen, grief is not a luxury she could afford. Later, Diana was called for a meeting by the Amazon council, which forced a choice on her: become permanent Queen or abdicate the throne. Before the discussion could continue, the island was attacked by Stymphalian Birds, Ares’ pets who were now drawn to Diana as the God of War. Accepting her new responsibilities, Diana successfully defended Themyscira.
“As to the ‘advanced femininity,’ what are the activities in comic books which women ‘indulge in on an equal footing with men’? They do not work. They are not homemakers. They do not bring up a family. Mother-love is entirely absent. Even when Wonder Woman adopts a girl there are Lesbian overtones,” he said. At the Senate hearings, Bender testified, too. If anything in American popular culture was bad for girls, she said, it wasn’t Wonder Woman; it was Walt Disney. “The mothers are always killed or sent to the insane asylums in Walt Disney movies,” she said. This argument fell on deaf ears.