With Zola's pregnancy reaching full term, she insisted on seeing her own doctor in Michigan. While there, they were all attacked by Artemis and Apollo. Unprepared, Diana and her companions were defeated, and Zola was taken to Mount Olympus to be delivered to Hera in exchange for the throne. Apparently, Hera was willing to give up her throne for the sake of revenge.[24] However, she had expected Zeus to return as soon as his rule was threatened, which he did not. When Apollo sat on the throne, he was crowned ruler, and when he learned of Hera's deceit, he exiled her from Olympus.

A ho-hum end to James Robinson's ho-hum run on Wonder Woman. Most things to come out of Dark Nights: Metal have been crap and that trend continues with these Dark Gods. They are so damn generic, with titles like Mob God, and God with No Name. James Robinson used to be one of my favorite comic book writers in the 90's but he's really shit the bed the last several years. The only good thing to come of this run is that Jason's story line is finally over. That tool is pretty much useless. I'm also g ...more


After the 2011 relaunch, Diana gained new powers. These new abilities, which included superhuman speed, durability, immortality, accelerated healing, and even flight came in addition to her previous attributed Olympian strength. She is now considered to be stronger than Hercules. In addition to her weaponry, Diana's bracelets can now create an thunderous explosion when she clashes them together. These new abilities are attributed to being the daughter of Hippolyta and Zeus. Her powers are now considered nearly unmeasurable if she goes without her Bracelets of Submission, which keep her powers in check. She uses these powers in battle against the goddess Artemis and quickly renders her unconscious with ease with a series of carefully positioned counterattacks. While using her godly strength, her outfit and accoutrements lit up and her eyes glowed like her father's.[185][189][better source needed][190]
The relaunch was beset by scheduling problems as described by Grady Hendrix in his article, "Out for Justice" in The New York Sun. "By 2007 [Heinberg had] only delivered four issues ... Ms. Picoult's five issues hemorrhaged readers ... and Amazons Attack!, a miniseries commissioned to fill a hole in the book's publishing schedule caused by Mr. Heinberg's delays, was reviled by fans who decried it as an abomination."[47] Picoult's interpretation received acclaim from critics, who would have liked to have seen the novelist given more time to work. Min Jin Lee of The Times stated, "By furnishing a 21st-century emotional characterization for a 20th-century creation, Picoult reveals the novelist's dextrous hand."[48]
^ Sanderson, Peter (September–October 1981). "Thomas/Colan Premiere Wonder Woman's New Look". Comics Feature. New Media Publishing (12/13): 23. The hotly-debated new Wonder Woman uniform will be bestowed on the Amazon Princess in her first adventure written and drawn by her new creative team: Roy Thomas and Gene Colan...This story will appear as an insert in DC Comics Presents #41.
Star Sapphire Ring (Formerly): Diana first wielded the Violet Lantern Ring when she served with the Star Sapphire Corps during the Blackest Night. She was later recruited as temporary leader of the Star Sapphires during a crisis on Zamaron and wore the ring once more. After the conflict, Diana retired from the Corps to continue her mission on Earth.[102]
Aquaman has also had run-ins with the Olympian sea deities. Poseidon had long relinquished the title of Sea King to Orin of Atlantis, but when Aquaman's subjects lost faith in him, Poseidon arranged a challenge with his son Triton.[37] Aquaman bested Triton and the godling fell from grace with his father. In anger, Triton slayed Poseidon and claimed his power.[38] Aquaman freed Poseidon by appealing to Lord Hades. When they returned from the dead, Poseidon slew his son in turn. Disgusted with mortal affairs, Poseidon bequeathed his trident to Aquaman.[39] Aquaman somehow lost the Trident, though, as it was last seen with Queen Clea.[40]
Superhuman Durability: Diana possesses a high resistance to damage and magical attacks. Her resistance to injury is not quite as great as Superman or Supergirl. However, due to her vast threshold for pain and her Amazonian ability to heal at a superhuman rate, this easily makes up for the difference. She has withstood considerable bludgeoning damage in the form of hand to hand combat with metahuman opponents such as Superman and Shazam.[105] She has considerable resistance to human weaponry, though this is not absolute; bullets, and edged weapons can cause minor to moderate injury, but never life threatening.[82] She once survived an Eighth Metal bullet to the head and was back on her feet and fighting again a few moments later.[106]
The original significance of Wonder Woman had the intentions of influencing many women of all ages, displaying the physical and mental strengths, values, and ethical attributes that not only men acquire. "Wonder Woman symbolizes many of the values of the women's culture that feminists are now trying to introduce into the mainstream: strength and self-reliance for women; sisterhood and mutual support among women; peacefulness and esteem for human life; a diminishment both of 'masculine' aggression and of the belief that violence is the only way of solving conflicts," Steinem wrote at the time.[223]
A Blackfoot demi-god,[52] and a smuggler who trades with both sides of the war and knows how to get people across the front lines.[48][53] On his casting, Brave Rock said, "I had no idea it was for Wonder Woman. I lost it when I showed up and I couldn't remember my lines. I didn't take it literally until a month later, I got a call saying I got the role and they wanted me to fly to London for a fitting."[54] Brave Rock raised several concerns with Jenkins over the representation of the character in the film, particularly that he was not comfortable playing into stereotypes and that he was not keen on his character being simply known as "Chief".[55] Jenkins responded by giving him some extra creative control over his character which Brave Rock says was "unprecedented".[55]
As Wonder Woman returned to her apartment, Hermes brought her to Olympus, where the gods declared her the new Goddess of War. Diana asked Apollo to restore Hera's godhood, but Apollo refused. Diana returned to London, and Apollo told her that she would not be able to ignore her responsibilities as Goddess of War for long. Diana was still angry at Hermes for his betrayal and asked him to leave, with Hermes stating that, just like she forgave Hera, perhaps in the future, she would forgive him.[37]
Wonder Woman received a largely positive response from film critics, with some calling it the DC Extended Universe's best film, with additional praise highlighting Jenkins's direction, acting, chemistry of Gadot and Pine, musical score, and action sequences.[8][203] On the review aggregator Rotten Tomatoes, the film holds an approval rating of 93% based on 425 reviews, with an average rating of 7.66/10. The website's critical consensus reads, "Thrilling, earnest, and buoyed by Gal Gadot's charismatic performance, Wonder Woman succeeds in spectacular fashion."[204] It is the second highest-rated superhero film on the site.[10][note 1] On Metacritic, the film has a weighted average score of 76 out of 100, based on 50 critics, indicating "generally favorable reviews".[205] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale, while PostTrak reported filmgoers gave it an 85% overall positive score and a 73% "definite recommend".[206]
Originally signed for three feature films, with Wonder Woman and Justice League being her second and third films, Gadot signed an extension to her contract for additional films.[313] Jenkins initially signed for only one film,[314] but in an interview with Variety, Geoff Johns revealed that he and Jenkins were writing the treatment for a Wonder Woman sequel and that he has a "cool idea for the second one". At the 2017 San Diego Comic Con, Warner Bros. officially announced a sequel would be released on December 13, 2019, and would be titled Wonder Woman 2; the date was later moved up to November 1, 2019, to avoid competition with Star Wars: The Rise of Skywalker.[315][316][317] Later, Jenkins was officially signed to return as director, with confirmation that Gadot will be returning as the titular role.[318] Days later, the studio hired Dave Callaham to co-write the film's script with Jenkins and Johns.[319] On March 9, 2018, Kristen Wiig was confirmed to play Cheetah, the villain of the film.[320] Later that month, it was announced that Pedro Pascal would have a key role in the film.[321] In May 2018, long-time DCEU producer Zack Snyder confirmed on social media platform Vero that he, along with wife Deborah Snyder, will serve as producers on the Wonder Woman sequel.[322] In June 2018, the title of the film was announced to be Wonder Woman 1984.[323] A third film was announced in January 2019 to be taking place in the present.[324]
“As to the ‘advanced femininity,’ what are the activities in comic books which women ‘indulge in on an equal footing with men’? They do not work. They are not homemakers. They do not bring up a family. Mother-love is entirely absent. Even when Wonder Woman adopts a girl there are Lesbian overtones,” he said. At the Senate hearings, Bender testified, too. If anything in American popular culture was bad for girls, she said, it wasn’t Wonder Woman; it was Walt Disney. “The mothers are always killed or sent to the insane asylums in Walt Disney movies,” she said. This argument fell on deaf ears.
In March 2005, Warner Bros. and Silver Pictures announced that Joss Whedon would write and direct the film.[74] Early drafts of his screenplay included Steve Trevor as the narrator, a fierce battle between Diana and her mother over Trevor's welfare, and after leaving Themyscira, his need to frequently rescue a Diana rendered helpless by the modern world.[75] Whedon was not able to complete a final version of his screenplay, and left the project in 2007.[76][77]
The debate continued with the release of Jenkins's 2017 film, Wonder Woman, which according to the BBC had "some thinking it's too feminist and others thinking it's not feminist enough".[235] Kyle Killian found an inherent contradiction in the construction of Wonder Woman as "a warrior" who, she states, is also highly sexualized. Killian thus suggests that these elements "should not be the focus of a kickass heroine—her beauty, bone structure, and sexiness—if she is to be a feminist icon".[236] Theresa Harold concurred, comparing Wonder Woman to Katniss Everdeen (of The Hunger Games), who "didn't have to wear a teenager's wet dream of a costume to fight in".[237] Christina Cauterucci also felt that Wonder Woman's ability to be considered a "feminist antidote" was undermined by her "sex appeal".[238] Other critics refer to the construction of Wonder Woman in the film as "an implausible post-feminist hero".[227][239]

In 1954, Dr. Fredric Wertham alleged that there were lesbian subtexts to Wonder Woman and claimed comics contributed to juvenile delinquency in his book Seduction of the Innocent where despite a very obvious heterosexual relationship with Steve Trevor, Wertham asserted that Wonder Woman’s association with the Holliday Girls could be interpreted as a lesbian relationship. The Comics Code Authority was then introduced in reaction to Wertham 's claims against the entire industry.


Superhuman Strength: Diana possesses far greater strength than the finest human athletes. She kept an A.R.G.U.S aircraft from crashing by holding it up. She dispatched numerous Parademons during Darkseid's invasion and broke the Fortress of Solitude's doors down when H'el locked Superman out and took control of it. She has also managed to briefly overpower both Green Lantern and Aquaman, as well as Supergirl. She managed to defeat the goddess Artemis, as well as draw blood from The First Born.[citation needed]
In 1954, Dr. Fredric Wertham alleged that there were lesbian subtexts to Wonder Woman and claimed comics contributed to juvenile delinquency in his book Seduction of the Innocent where despite a very obvious heterosexual relationship with Steve Trevor, Wertham asserted that Wonder Woman’s association with the Holliday Girls could be interpreted as a lesbian relationship. The Comics Code Authority was then introduced in reaction to Wertham 's claims against the entire industry.
Straczynski's run focused on an alternate timeline created by the Gods where Paradise Island was destroyed leading to many Amazons being raised in the outside world. It revolves around Wonder Woman's attempts to restore the normal timeline despite the fact that she does not remember it properly. Wonder Woman in this alternative timeline has been raised in New York City as an orphan and is coming into her powers. She is aware of the presence of Amazons, but does not remember her childhood on Paradise Island.[54][55] Wonder Woman wore a new costume designed by DC Comics co-publisher Jim Lee.[56] Writer Phil Hester continued the storyline.[57]
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^ Sanderson, Peter (September–October 1981). "Thomas/Colan Premiere Wonder Woman's New Look". Comics Feature. New Media Publishing (12/13): 23. The hotly-debated new Wonder Woman uniform will be bestowed on the Amazon Princess in her first adventure written and drawn by her new creative team: Roy Thomas and Gene Colan...This story will appear as an insert in DC Comics Presents #41.
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